Tradition and Subversion in Renaissance Literature: Studies in Shakespeare, Spenser, Jonson, and DonneDuquesne University Press, 2007 - 258 páginas Deconstructionist critics have argued that literary works contain conflicting or contradictory meanings, thus creating an aporia, or impasse, that prevents readers from interpreting the work. Here, however, Murray Roston offers detailed and essentially new analyses of works by Shakespeare, Spenser, Jonson, and Donne, arguing that the seemingly contradictory presence of traditional and subversive elements in their major works actually creates the source of much of their literary achievement. Chapters explore The Merchant of Venice, Hamlet, Faerie Queene, Volpone, and the Meditations of John Donne, highlighting the creative tension between centripetal and centrifugal factors (borrowing Bakhtin's terms). As Roston demonstrates, this tension exists in a variety of genres, including poetry, epic and drama, and even in religious prose which, he acknowledges, might be thought to be exempt from such inner conflict because of its doctrinal and theological focus. The tension between tradition and subversion, both linguistic and cultural, then, can be seen to produce not aporia in any negative sense, but a positive complexity of response from the audience, animating and profoundly enriching each work. In The Merchant of Venice, for example, Shakespeare merges the previously despised figure of the merchant with a Christ-like figure, brilliantly reasserting the Christian condemnation of profiteering while simultaneously advocating its seeming opposite, a validation of the burgeoning mercantile activity of the Renaissance. Tradition and Subversion in Renaissance Literary Studies is a thoughtful study, rich in both historical scholarship and in its survey of modern criticism. Even those who are quite familiar with the texts discussed here will find Roston's focus on the tension between maintaining the expectations of the culture and pulling toward new ideas an illuminating way to freshly consider these literary works. |
Dentro del libro
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Página 219
Studies in Shakespeare, Spenser, Jonson, and Donne Murray Roston. Notes NOTES TO INTRODUCTION 1. J. Hillis Miller , " The Critic as Host , " Deconstruction and Criticism ( New York : Continuum , 1986 ) . For the origins of the theory ...
Studies in Shakespeare, Spenser, Jonson, and Donne Murray Roston. Notes NOTES TO INTRODUCTION 1. J. Hillis Miller , " The Critic as Host , " Deconstruction and Criticism ( New York : Continuum , 1986 ) . For the origins of the theory ...
Página 228
... notes that Venus coelestis is represented here as opposed to Venus vulgaris , but he makes no connection with the promulga- tion of the papal bull concerning the Immaculate Conception . I have offered a fuller discussion of the painting ...
... notes that Venus coelestis is represented here as opposed to Venus vulgaris , but he makes no connection with the promulga- tion of the papal bull concerning the Immaculate Conception . I have offered a fuller discussion of the painting ...
Página 235
... notes the audience's pleasure in the Fox's final appearance . NOTES TO CHAPTER 5 , " DONNE AND THE MEDITATIVE TRADITION " 1. Louis L. Martz , The Poetry of Meditation ( New Haven : Yale University Press , 1962 ) , 4 . 2. The English ...
... notes the audience's pleasure in the Fox's final appearance . NOTES TO CHAPTER 5 , " DONNE AND THE MEDITATIVE TRADITION " 1. Louis L. Martz , The Poetry of Meditation ( New Haven : Yale University Press , 1962 ) , 4 . 2. The English ...
Contenido
ONE Sacred and Secular in The Merchant | 1 |
Two Hamlet and the Stoic | 39 |
THREE Spenser and the Pagan Gods | 87 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
Antonio argued aspects audience Bassanio believe Ben Jonson biblical Cambridge University Press Catholic manuals Celia century characters Christ Christian church classical comedy concept condemnation contemporary contrast critics death declares deconstructionists depicted Derrida Devotions divine doctrine Donne's drama earlier elements Elizabethan emerged English epic Faerie Queene faith father figure Ghost gods grace Hamlet hath haue heaven Hebrews Holy interpretation Jacobean Jacques Derrida Jesuit John Donne Jonson Knight Lewalski literary Literature London means medieval meditation ment Merchant of Venice Midrash moral Mosca Neoplatonic notes offers Old Testament pagan play play's poetry Portia Princeton University Press principle Protestant Puritan rape reading religious Renaissance Richard Sibbes Saint salvation scene scriptural Seneca sense Sermons Shakespeare Shylock soul speech Spenser's spirit Stoic Stoicism suicide thee theme thou tion tradition trans usury Volpone Volpone's vpon wealth William Empson William Perkins word York