Shakespearean ComedyRussell & Russell, 1962 - 417 páginas Thomas Marc Parrott offers readers introductions to Shakespeare's works, groupings according to genre and a play-by-play recital of the Shakespeare canon, and a notation of success or failure of the plays as determined by sixteenth century and modern audiences with the expectation that readers can clearly understand the method of Shakespeare's comedies. |
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Página 59
... better have stuck to the stage , and yet there are signs that his period of popularity in the theater had waned as swiftly as it had waxed . In the ' nineties other and better poets had stormed the stage , and except for one experiment ...
... better have stuck to the stage , and yet there are signs that his period of popularity in the theater had waned as swiftly as it had waxed . In the ' nineties other and better poets had stormed the stage , and except for one experiment ...
Página 142
... better stage - play than A Midsummer Night's Dream , which was designed primarily rather for entertainment at a noble wedding than for the theater . And this superiority reveals itself as well in the diction as in the action and the ...
... better stage - play than A Midsummer Night's Dream , which was designed primarily rather for entertainment at a noble wedding than for the theater . And this superiority reveals itself as well in the diction as in the action and the ...
Página 236
... better , for his own company . It was only natural , too , that he should want to round off his series of plays on weak or wicked English kings with one which presented the last great and good Plantagenet . That some such notion had ...
... better , for his own company . It was only natural , too , that he should want to round off his series of plays on weak or wicked English kings with one which presented the last great and good Plantagenet . That some such notion had ...
Contenido
THE MEDIEVAL BACKGROUND | 3 |
THE IMPACT OF THE RENAISSANCE | 37 |
THE NEW COMEDY | 53 |
Derechos de autor | |
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Términos y frases comunes
action actor Antony appears audience called chronicle play Cleopatra Clown comic characters Coriolanus Court Cressida Cymbeline daughter death Devil dialogue disguised dramatic early Elizabethan English comedy fact Falstaff father figure Folio follows Fool Greene's Hamlet hand hero humor husband Interlude Jester jests John Juliet King Henry lady later laugh Lear London Lord Love's Labour's Lost lover Lyly Lyly's Macbeth marriage master Measure for Measure Merry Wives Midsummer Night's Dream mistress mocking Morals old play Othello passion performance perhaps Pericles Plautus playwright plot Plutarch poet Polonius present Prince prose Queen realistic Richard Richard II role Romeo Romeo and Juliet satiric says scene seems servant Shake Shakespeare Shakespeare's company Shakespeare's plays Shakespearean comedy Shrew song speare speare's speech story tale theater theme tion tragedy tragic Troilus Troilus and Cressida true Twelfth Night verse Vice wife Winter's Tale words wrote young