Shakespearean ComedyRussell & Russell, 1962 - 417 páginas Thomas Marc Parrott offers readers introductions to Shakespeare's works, groupings according to genre and a play-by-play recital of the Shakespeare canon, and a notation of success or failure of the plays as determined by sixteenth century and modern audiences with the expectation that readers can clearly understand the method of Shakespeare's comedies. |
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Página 178
... called Twelve Night , or What You Will , much like the Comedy of Errors or Menechmi in Plautus , but most like and near to that in Italian called Inganni . A good prac- tice in it to make the steward believe his Lady widow was in love ...
... called Twelve Night , or What You Will , much like the Comedy of Errors or Menechmi in Plautus , but most like and near to that in Italian called Inganni . A good prac- tice in it to make the steward believe his Lady widow was in love ...
Página 311
... called for in the stage directions in Macbeth . The exact date of The Witch is not known , but it was certainly later than Macbeth and before the Folio of 1623. It seems plain , therefore , that Middleton lifted the character of Hecate ...
... called for in the stage directions in Macbeth . The exact date of The Witch is not known , but it was certainly later than Macbeth and before the Folio of 1623. It seems plain , therefore , that Middleton lifted the character of Hecate ...
Página 338
... called the most puzzling of Shakespeare's plays ; ' a puzzle we found Troilus and Cressida , ' says a modern critic , ' and a puzzle we must leave it ; our best comment must be guess - work . ' Things are not quite so bad as that ...
... called the most puzzling of Shakespeare's plays ; ' a puzzle we found Troilus and Cressida , ' says a modern critic , ' and a puzzle we must leave it ; our best comment must be guess - work . ' Things are not quite so bad as that ...
Contenido
THE MEDIEVAL BACKGROUND | 3 |
THE IMPACT OF THE RENAISSANCE | 37 |
THE NEW COMEDY | 53 |
Derechos de autor | |
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Términos y frases comunes
action actor Antony appears audience called chronicle play Cleopatra Clown comic characters Coriolanus Court Cressida Cymbeline daughter death Devil dialogue disguised dramatic early Elizabethan English comedy fact Falstaff father figure Folio follows Fool Greene's Hamlet hand hero humor husband Interlude Jester jests John Juliet King Henry lady later laugh Lear London Lord Love's Labour's Lost lover Lyly Lyly's Macbeth marriage master Measure for Measure Merry Wives Midsummer Night's Dream mistress mocking Morals old play Othello passion performance perhaps Pericles Plautus playwright plot Plutarch poet Polonius present Prince prose Queen realistic Richard Richard II role Romeo Romeo and Juliet satiric says scene seems servant Shake Shakespeare Shakespeare's company Shakespeare's plays Shakespearean comedy Shrew song speare speare's speech story tale theater theme tion tragedy tragic Troilus Troilus and Cressida true Twelfth Night verse Vice wife Winter's Tale words wrote young