Shakespearean ComedyRussell & Russell, 1962 - 417 páginas Thomas Marc Parrott offers readers introductions to Shakespeare's works, groupings according to genre and a play-by-play recital of the Shakespeare canon, and a notation of success or failure of the plays as determined by sixteenth century and modern audiences with the expectation that readers can clearly understand the method of Shakespeare's comedies. |
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Página 113
... lines Proteus tries to force Silvia ; Valentine rescues her and denounces him as a ' ruffian ' ; Proteus begs forgiveness ; Valentine is satisfied and re- nounces his lady in favor of his friend . This is more than racing speed ...
... lines Proteus tries to force Silvia ; Valentine rescues her and denounces him as a ' ruffian ' ; Proteus begs forgiveness ; Valentine is satisfied and re- nounces his lady in favor of his friend . This is more than racing speed ...
Página 150
... lines and phrases often appear in scenes that the separationists assign to his unknown partner . The second explanation advances the hypothesis of a lost play ante- cedent to both A Shrew and The Shrew , on which both these plays were ...
... lines and phrases often appear in scenes that the separationists assign to his unknown partner . The second explanation advances the hypothesis of a lost play ante- cedent to both A Shrew and The Shrew , on which both these plays were ...
Página 378
... lines , it could not have been played in its entirety upon Shakespeare's stage . Cuts must have been made , marked in the prompt - book , but not elided from the text . Worse still passages seem to have been written in by another hand ...
... lines , it could not have been played in its entirety upon Shakespeare's stage . Cuts must have been made , marked in the prompt - book , but not elided from the text . Worse still passages seem to have been written in by another hand ...
Contenido
THE MEDIEVAL BACKGROUND | 3 |
THE IMPACT OF THE RENAISSANCE | 37 |
THE NEW COMEDY | 53 |
Derechos de autor | |
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Términos y frases comunes
action actor Antony appears audience called chronicle play Cleopatra Clown comic characters Coriolanus Court Cressida Cymbeline daughter death Devil dialogue disguised dramatic early Elizabethan English comedy fact Falstaff father figure Folio follows Fool Greene's Hamlet hand hero humor husband Interlude Jester jests John Juliet King Henry lady later laugh Lear London Lord Love's Labour's Lost lover Lyly Lyly's Macbeth marriage master Measure for Measure Merry Wives Midsummer Night's Dream mistress mocking Morals old play Othello passion performance perhaps Pericles Plautus playwright plot Plutarch poet Polonius present Prince prose Queen realistic Richard Richard II role Romeo Romeo and Juliet satiric says scene seems servant Shake Shakespeare Shakespeare's company Shakespeare's plays Shakespearean comedy Shrew song speare speare's speech story tale theater theme tion tragedy tragic Troilus Troilus and Cressida true Twelfth Night verse Vice wife Winter's Tale words wrote young