Shakespearean ComedyRussell & Russell, 1962 - 417 páginas Thomas Marc Parrott offers readers introductions to Shakespeare's works, groupings according to genre and a play-by-play recital of the Shakespeare canon, and a notation of success or failure of the plays as determined by sixteenth century and modern audiences with the expectation that readers can clearly understand the method of Shakespeare's comedies. |
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Página 43
Thomas Marc Parrott. ROMANTIC SPIRIT It is , perhaps , impossible to define the word ' romance , ' or to limit exactly the meaning of ' romantic . ' Yet it is by no means difficult to recognize a romance when one sees it or to trace the ...
Thomas Marc Parrott. ROMANTIC SPIRIT It is , perhaps , impossible to define the word ' romance , ' or to limit exactly the meaning of ' romantic . ' Yet it is by no means difficult to recognize a romance when one sees it or to trace the ...
Página 44
... romantic love . In medieval drama this theme seems to have been taboo ; there is no trace of it in the Miracles and Morals . In classical comedy , by reason of the social conditions from which this form sprang , there was no possibility ...
... romantic love . In medieval drama this theme seems to have been taboo ; there is no trace of it in the Miracles and Morals . In classical comedy , by reason of the social conditions from which this form sprang , there was no possibility ...
Página 52
... romantic comedy in an Italian background . It may be noted in closing that after the false dawn of Calisto and Melibea there is no trace of the new romantic spirit in English comedy for nearly half a century . Then examples multiply ...
... romantic comedy in an Italian background . It may be noted in closing that after the false dawn of Calisto and Melibea there is no trace of the new romantic spirit in English comedy for nearly half a century . Then examples multiply ...
Contenido
THE MEDIEVAL BACKGROUND | 3 |
THE IMPACT OF THE RENAISSANCE | 37 |
THE NEW COMEDY | 53 |
Derechos de autor | |
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Términos y frases comunes
action actor Antony appears audience called chronicle play Cleopatra Clown comic characters Coriolanus Court Cressida Cymbeline daughter death Devil dialogue disguised dramatic early Elizabethan English comedy fact Falstaff father figure Folio follows Fool Greene's Hamlet hand hero humor husband Interlude Jester jests John Juliet King Henry lady later laugh Lear London Lord Love's Labour's Lost lover Lyly Lyly's Macbeth marriage master Measure for Measure Merry Wives Midsummer Night's Dream mistress mocking Morals old play Othello passion performance perhaps Pericles Plautus playwright plot Plutarch poet Polonius present Prince prose Queen realistic Richard Richard II role Romeo Romeo and Juliet satiric says scene seems servant Shake Shakespeare Shakespeare's company Shakespeare's plays Shakespearean comedy Shrew song speare speare's speech story tale theater theme tion tragedy tragic Troilus Troilus and Cressida true Twelfth Night verse Vice wife Winter's Tale words wrote young