A Flowering Word: The Modernist Expression in Stephane Mallarme, T.S. Eliot, and Yosano AkikoP. Lang, 2000 - 172 páginas In its international and cross-cultural evolution, the modernist movement brought the most notable achievements in the poetry genre. Through their fragmented mode by semantic scrambling, the modernist poems seek to embody an indestructible unity of language and art. In order to elucidate the significance of that «essential» form in capitalistic times, A Flowering Word applies C. S. Peirce's semiotic theory to the principal works of three contemporary writers: Stéphane Mallarmé's late sonnets, T. S. Eliot's Four Quartets, and the Japanese prefeminist poet, Yosano Akiko's Tangled Hair. |
Contenido
The Japanese Reformation of Poetic | 25 |
The Development of the Short Poems | 57 |
Four | 97 |
Derechos de autor | |
Otras 2 secciones no mostradas
Términos y frases comunes
31 syllables absence appropriation avant-gardist Baudelairean beauty beginning Bradbury and McFarlane Burnt Norton collection color communicative connected consciousness conventional corresponds cosmic cosmos creation creative dark death diversified dominant dream Dry Salvages earth earthly East Coker echoes embodies energy erotic eternal evokes five elements Fleurs flowers foregrounded Four Quartets Gardner Haiku human iconic incantation indicated interpretation intertext Japanese l'Azur language light Little Gidding live Mallarméan mental metal(-gold metamorphoses metonymic mimetic mirror modern modernist modernist poetry motherly Myōjō ness ontological paradoxically Peircean Petrarchan sonnet piece poet poet's poetic poetry potential present reader reality represents Rêve revival rose S/he salvation self-reflexive semantic semiotic Shiki Sonnet speaker stanza Stéphane Mallarmé sublimation suggested sunlight symbol symbolist T. S. Eliot Tangled Hair Tanka Tekkan tercet textual tion tive Tokyo transformation tree unifying verbal verse voice Waka whole word Yosano Akiko's Yosano Tekkan