Shakespeare's Works, Volumen13Harper & brothers, 1884 |
Dentro del libro
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Página 5
... quarto of 1604 and the folio of 1623 with the other early editions and the leading modern ones . All the important varia lectiones are given in the Notes ; so that the reader , if he considers my text too " conservative , " has all the ...
... quarto of 1604 and the folio of 1623 with the other early editions and the leading modern ones . All the important varia lectiones are given in the Notes ; so that the reader , if he considers my text too " conservative , " has all the ...
Página 9
... quarto form in 1603 , with the following title - page : THE Tragicall Historie of | HAMLET | Prince of Den- marke | By William Shake - speare . | As it hath beene diuerse times acted by his Highnesse ser- uants in the Cittie of London ...
... quarto form in 1603 , with the following title - page : THE Tragicall Historie of | HAMLET | Prince of Den- marke | By William Shake - speare . | As it hath beene diuerse times acted by his Highnesse ser- uants in the Cittie of London ...
Página 10
... quarto of 1603 may have been printed by Roberts , though his name does not appear on the title - page . He certainly printed the second quarto , published by the same " N. L. " ( Nicholas Ling ) in 1604 , with the following title - page ...
... quarto of 1603 may have been printed by Roberts , though his name does not appear on the title - page . He certainly printed the second quarto , published by the same " N. L. " ( Nicholas Ling ) in 1604 , with the following title - page ...
Página 11
... quartos , as will be seen by our Notes , in which the more important differences are recorded . Collier thinks that " if the Hamlet in the first folio were not composed from some hitherto unknown quarto , † it was derived from a ...
... quartos , as will be seen by our Notes , in which the more important differences are recorded . Collier thinks that " if the Hamlet in the first folio were not composed from some hitherto unknown quarto , † it was derived from a ...
Página 12
... quarto and the first folio . II . THE SOURCES OF THE PLOT . There was certainly an old play on the subject of Hamlet , and some critics believe that it was an early production of Shakespeare's . The first allusion to it that has been ...
... quarto and the first folio . II . THE SOURCES OF THE PLOT . There was certainly an old play on the subject of Hamlet , and some critics believe that it was an early production of Shakespeare's . The first allusion to it that has been ...
Términos y frases comunes
Abbott Gr accent Bernardo blood Brutus Caldecott Calpurnia Capitol Casca Cassius character Cicero Cinna Citizen Clitus Clown Coll Craik Cymb dead dear death Decius deed Delius dost doth edition Enter Exeunt Exit eyes father fear folio reading follow Fortinbras friends Ghost give Guildenstern Hamlet hand hast hath hear heart heaven honour Horatio Johnson Julius Cæsar King Laertes Lear Ligarius look lord Lucilius Lucius Macb madness Malone Marcellus Mark Antony matter means Messala mind mother murther nature night noble noun Octavius Ophelia Osric passage passion Pindarus play players Plutarch poet Polonius Pompey Portia pray quartos Queen Rich Rolfe's Roman Rome Rosencrantz Rosencrantz and Guildenstern says SCENE Schmidt sense Shakespeare Sonn soul speak speech spirit Steevens quotes sword tell Temp thee Theo thing thou thought Titinius unto verb Warb word
Pasajes populares
Página 84 - Friends, Romans, countrymen, lend me your ears ; I come to bury Caesar, not to praise him. The evil that men do lives after them ; The good is oft interred with their bones ; So let it be with Caesar.
Página 87 - Caesar loved him! This was the most unkindest cut of all: For when the noble Caesar saw him stab, Ingratitude, more strong than traitors' arms, Quite vanquished him : then burst his mighty heart ; And, in his mantle muffling up his face, Even at the base of Pompey's statua, Which all the while ran blood, great Caesar fell.
Página 100 - ... t were, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians...
Página 50 - Nor the dejected haviour of the visage, Together with all forms, moods, shows of grief, That can denote me truly : these, indeed, seem, For they are actions that a man might play ; But I have that within, which passeth show, These but the trappings and the suits of woe.
Página 128 - How all occasions do inform against me, And spur my dull revenge! What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more.
Página 116 - Look here, upon this picture, and on this, The counterfeit presentment of two brothers. See what a grace was seated on this brow; Hyperion's curls, the front of Jove himself, An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill; A combination and a form.' indeed, Where every god did seem to set his seal, To give the world assurance of a man: This was your husband.
Página 54 - tis a common proof That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
Página 47 - gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long: And then, they say, no spirit dares stir abroad; The nights are wholesome; then no Planets strikE, NO fairy takes, nor witch hath Power to charm, So hallow'd and so gracious is the time.
Página 92 - I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
Página 91 - What's Hecuba to him or he to Hecuba That he should weep for her? What would he do Had he the motive and the cue for passion That I have?