contemplate the costumes of the old writers, merely to imbibe their principles of taste, and to catch their air and spirit; but I grieve to say, that too many were apt to array themselves from top to toe, in the patchwork manner I have mentioned. I shall not omit to speak of one genius, in drab breeches and gaiters, and an Arcadian hat, who had a violent propensity to the pastoral, but whose rural wanderings had been confined to the classic haunts of Primrose Hill, and the solitudes of the Regent's Park. He had decked himself in wreaths and ribands from all the old pastoral poets, and, hanging his head on one side, went about with a fantastical lack-a-daisical air, "babbling about green fields." But the personage that most struck my attention was a pragmatical old gentleman, in clerical robes, with a remarkably large and square, but bald head. He entered the room wheezing and puffing, elbowed his way through the throng, with a look of sturdy self-confidence, and having laid hands upon a thick Greek quarto, clapped it upon his head, and swept majestically away in a formidable frizzled wig.

In the height of this literary masquerade, a cry suddenly resounded from every side, of "Thieves! thieves!" I looked, and lo! the portraits about the wall became animated! The old authors thrust out, first a head, then a shoulder, from the canvas, looked down curiously, for an instant, upon the motley throng, and then descended with fury in their eyes, to claim their rifled property. The scene of scampering and hubbub that ensued baffles all description. The unhappy culprits endeavored in vain to escape with plunder. On one side might be seen half a dozen old monks, stripping a modern professor; on another, there was sad devastation carried into the ranks of modern dramatic writers. Beaumont and Fletcher, side by side, raged round the field

like Castor and Pollux, and sturdy Ben Jonson enacted more wonders than when a volunteer with the army in Flanders. As to the dapper little compiler of farragos, mentioned some time since, he had arrayed himself in as many patches and colors as Harlequin, and there was as fierce a contention of claimants about him, as about the dead body of Patroclus. I was grieved to see many men, to whom I had been accustomed to look up with awe and reverence, fain to steal off with scarce a rag to cover their nakedness. Just then my eye was caught by the pragmatical old gentleman in the Greek grizzled wig, who was scrambling away in sore affright with half a score of authors in full cry after him! They were close upon his haunches in a twinkling off went his wig; at every turn some strip of raiment was peeled away; until in a few moments, from his domineering pomp, he shrunk into a little, pursy, "chopped bald shot,” and made his exit with only a few tags and rags fluttering at his back.

There was something so ludicrous in the catastrophe of this learned Theban, that I burst into an immoderate fit of laughter, which broke the whole illusion. The tumult and the scuffle were at an end. The chamber resumed its usual appearance. The old authors shrunk back into their picture-frames, and hung in shadowy solemnity along the walls. In short, I found myself wide awake in my corner, with the whole assemblage of bookworms gazing at me with astonishment. Nothing of the dream had been real but my burst of laughter, a sound never before heard in that grave sanctuary, and so abhorrent to the ears of wisdom, as to electrify the fraternity.

The librarian now stepped up to me, and demanded whether I had a card of admission. At first I did not comprehend him,

but I soon found that the library was a kind of literary "preserve," subject to game-laws, and that no one must presume to hunt there without special license and permission. In a word, I stood convicted of being an arrant poacher, and was glad to make a precipitate retreat, lest I should have a whole pack of authors let loose upon me.

A ROYAL POET.

Though your body be confined,

And soft love a prisoner bound,

Yet the beauty of your mind

Neither check nor chain hath found.

Look out nobly, then, and dare

Even the fetters that you wear.

FLETCHER.

ON a soft sunny morning, in the genial month of May, I made an excursion to Windsor Castle. It is a place full of storied and poetical associations. The very external aspect of the proud old pile is enough to inspire high thought. It rears its irregular walls and massive towers, like a mural crown, round the brow of a lofty ridge, waves its royal banner in the clouds, and looks down, with a lordly air, upon the surrounding world.

On this morning the weather was of that voluptuous vernal kind, which calls forth all the latent romance of a man's temperament, filling his mind with music, and disposing him to quote poetry and dream of beauty. In wandering through the magnificent saloons and long echoing galleries of the castle, I passed with indifference by whole rows of portraits of warriors and statesmen, but lingered in the chamber, where hang the likenesses of the beauties which graced the gay court of Charles the Second; and as I gazed upon them, depicted with amorous, half-disheveled