Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen39Gale Research Company, 1984 The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Página 68
... audience who were only too ready to sympathize . Both plays recognize that in some points Nature seems to be at odds with itself , and certainly at odds with hu- man customs and the social order , and no doubt con- temporary audiences ...
... audience who were only too ready to sympathize . Both plays recognize that in some points Nature seems to be at odds with itself , and certainly at odds with hu- man customs and the social order , and no doubt con- temporary audiences ...
Página 138
... audience . As Bolingbroke in Rich- ard II , a significant and immensely interesting antago- nist , he has been the ... audience ; none of these comments coincides with Hal's true personality . Pri- marily by his actions and by his ...
... audience . As Bolingbroke in Rich- ard II , a significant and immensely interesting antago- nist , he has been the ... audience ; none of these comments coincides with Hal's true personality . Pri- marily by his actions and by his ...
Página 198
... audience in the present scene of performance the open - roofed playhouse that made the audience as visible as the actors , the thrust stage that brought them together , and the " neutral materiality " of the bare stage , which , as ...
... audience in the present scene of performance the open - roofed playhouse that made the audience as visible as the actors , the thrust stage that brought them together , and the " neutral materiality " of the bare stage , which , as ...
Contenido
Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
Derechos de autor | |
Otras 2 secciones no mostradas
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action appears audience authority battle become begins blood body Bolingbroke called ceremony character claim common course critics crown death divine drama earlier Edward Elizabeth Elizabethan England English essay example fact Falstaff father figure final force gives Hal's hand Henry Henry IV Henry's history plays Holinshed honour Hotspur human ideal John justice king king's kingship language later less lines live London look Lord means monarch moral murder nature never once opening past political present Press Prince provides queen question Renaissance rhetorical Richard Richard II role royal rule says scene seems sense Shake Shakespeare shows soliloquy speak speech stage Studies succession suggests thou throne tion tragedy true Tudor turn University virtues York young