Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen39Gale Research Company, 1984 The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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... called the poet king by critics who want to read him in the nineteenth - century manner , as a poet king who was a political failure , rather than as a sixteenth - century monarch who destroyed the sign of his own legitimacy . " In ...
... called the poet king by critics who want to read him in the nineteenth - century manner , as a poet king who was a political failure , rather than as a sixteenth - century monarch who destroyed the sign of his own legitimacy . " In ...
Página 100
... called the " Tudor myth . " With its emphasis on the sin of deposing a lineal king in Richard II , Tillyard's " Tudor " myth - so Robert Ornstein argues - might bet- ter be renamed the " Yorkist " myth . ' But it is possible ( as both ...
... called the " Tudor myth . " With its emphasis on the sin of deposing a lineal king in Richard II , Tillyard's " Tudor " myth - so Robert Ornstein argues - might bet- ter be renamed the " Yorkist " myth . ' But it is possible ( as both ...
Página 377
... called realistic or natural , while the second in- novation may be called symbolic or supernatural . These two opposed yet complementary resolutions clearly in- dicate that the process of experimentation with the char- acter was a ...
... called realistic or natural , while the second in- novation may be called symbolic or supernatural . These two opposed yet complementary resolutions clearly in- dicate that the process of experimentation with the char- acter was a ...
Contenido
Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
Derechos de autor | |
Otras 2 secciones no mostradas
Otras ediciones - Ver todas
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action appears audience authority battle become begins blood body Bolingbroke called ceremony character claim common course critics crown death divine drama earlier Edward Elizabeth Elizabethan England English essay example fact Falstaff father figure final force gives Hal's hand Henry Henry IV Henry's history plays Holinshed honour Hotspur human ideal John justice king king's kingship language later less lines live London look Lord means monarch moral murder nature never once opening past political present Press Prince provides queen question Renaissance rhetorical Richard Richard II role royal rule says scene seems sense Shake Shakespeare shows soliloquy speak speech stage Studies succession suggests thou throne tion tragedy true Tudor turn University virtues York young