African American Satire: The Sacredly Profane NovelUniversity of Missouri Press, 2001 - 226 páginas Satire's real purpose as a literary genre is to criticize through humor, irony, caricature, and parody, and ultimately to defy the status quo. In African American Satire, Darryl Dickson-Carr provides the first book-length study of African American satire and the vital role it has played. In the process he investigates African American literature, American literature, and the history of satire. Dickson-Carr argues that major works by such authors as Rudolph Fisher, Ishmael Reed, Ralph Ellison, Langston Hughes, and George S. Schuyler should be read primarily as satires in order to avoid misinterpretation and to gain a greater understanding of their specific meanings and the eras in which they were written. He also examines the satirical rhetoric and ideological bases of complex works such as John Oliver Killens's The Cotillion and Cecil Brown's The Life and Loves of Mr. Jiveass Nigger--books that are currently out of print and that have received only scant critical attention since they were first published. Beginning with the tradition of folk humor that originated in West Africa and was forcibly transplanted to the Americas through chattel slavery, Dickson-Carr focuses in each chapter on a particular period of the twentieth century in which the African American satirical novel flourished. He analyzes the historical contexts surrounding African American literature and culture within discrete crucial movements, starting with the Harlem Renaissance of the 1920s and ending in the present. He also demonstrates how the political, cultural, and literary ethos of each particular moment is manifested and contested in each text. By examining these texts closely within their historical and ideological contexts, Dickson-Carr shows how African American satirical novels provide the reader of African American literature with a critique of popular ideologies seldom found in nonsatirical works. Providing a better understanding of what satire is and why it is so important for fulfilling many of the goals of African American literature, African American Satire will be an important addition to African American studies. |
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... sense within only one locale or moment , then become obsolete or limiting . We are treated to numerous instances in which Niggeratti Manor's tightly knit bohemian atmosphere becomes too confining and tense for its inhabitants ...
... sense of transcendence , an understanding that " there is a death in the smell of spring and in the smell of thee as in the smell of me " ( IM , 580 ; italics in the original ) . The Invisible Man's " underground existence , ” his sense ...
... sense of genre , his audience is unwilling or unable to do so . " 14 For the Terribles , though , the problem is not so much that Reed has instilled an inadequate sense of wit and satire , but that the satire is buried under a polyglot ...
Contenido
Sacredly Profane | 14 |
CHAPTER 2 | 38 |
CHAPTER 3 | 82 |
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Referencias a este libro
Upon Further Review: Sports in American Literature Michael Cocchiarale,Scott Emmert Sin vista previa disponible - 2004 |