Dylan Thomas and Poetic Dissociation, Volumen61Southern Illinois University Press, 1964 - 182 páginas |
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Página 72
... effect of the word : " I like the word ' blacked ' by the way in spite of its , in the context , jarring dissonance with ' locked . ' I had , quite apart ( that is absurd , I mean secondarily to ) from the poem , the blackout in mind ...
... effect of the word : " I like the word ' blacked ' by the way in spite of its , in the context , jarring dissonance with ' locked . ' I had , quite apart ( that is absurd , I mean secondarily to ) from the poem , the blackout in mind ...
Página 78
... effect of its own - the effect of involving all our weaknesses in a special plea for his . You don't smack a baby : and so every attitude to Dylan Thomas accepts the dangerous amorality of the engaging enfant terrible . Once one detects ...
... effect of its own - the effect of involving all our weaknesses in a special plea for his . You don't smack a baby : and so every attitude to Dylan Thomas accepts the dangerous amorality of the engaging enfant terrible . Once one detects ...
Página 137
... effect of the stylization of the piece is to make the world a pretend - place , with pretend- relationships , such as children play , with no morality or reality to impinge . Even Suzanne Roussillat sees that Thomas's Wales is not ...
... effect of the stylization of the piece is to make the world a pretend - place , with pretend- relationships , such as children play , with no morality or reality to impinge . Even Suzanne Roussillat sees that Thomas's Wales is not ...
Contenido
Introduction | 3 |
The True Voice of English Poetry | 17 |
Critical SelfDeception | 35 |
Derechos de autor | |
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Términos y frases comunes
accept adult alcoholic attitude becomes breast Captain Cat character Cherry Owens child childhood childish Country Sleep critical D. H. Lawrence D. W. Winnicott dark dead death disarming disguise dissociated dreams dust Dylan Thomas Dylan Thomas's poetry Edith Sitwell Eliot enacts English experience explore fear feel Fern Hill five-beat line flower force gesture give Hopkins's human hwyl imagery immaturity impulse infant infantile irresponsibility Jack Black Joyce Joyce's kind language Llareggub Llaregyb mature meaning meaningless metaphor Milk Wood moral mother mouth movement nature night nostalgia OGMORE Ogmore-Pritchard Olson pain perhaps phrase pity poem poet poet's poetic Polly Garter prose reader reality recoil rhythm rhythmic Richard Paget roots Rosie Probert seek seems sense sexual snart snayped sneap snitered sound special plea stanza suffering suggests symbols T. F. Powys T. S. ELIOT texture tion true voice Ulysses verbal Vernon Watkins verse vision vitality weaknesses wind words writing