Dylan Thomas and Poetic Dissociation, Volumen61Southern Illinois University Press, 1964 - 182 páginas |
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Página 33
... feel true poetry must be , essentially metaphorical , con- cerned with the extension and deepening of our reality sense and with gaining effective hold on life . Without this impulse to explore and extend our understanding , to increase ...
... feel true poetry must be , essentially metaphorical , con- cerned with the extension and deepening of our reality sense and with gaining effective hold on life . Without this impulse to explore and extend our understanding , to increase ...
Página 74
... feel in the mouth of texture in the verse , as there is , for instance even in folk - song such as " Until the seas run dry my love / The rocks melt in the sun . " The unrelieved platitudes of " soft , " " unclenched , " " silk and ...
... feel in the mouth of texture in the verse , as there is , for instance even in folk - song such as " Until the seas run dry my love / The rocks melt in the sun . " The unrelieved platitudes of " soft , " " unclenched , " " silk and ...
Página 95
... feel his Thief finding his way through the dark wood ? The rhythm and texture reveal he did not : the poet's arms , as it were , are waved in the direction of realiza- tion , but the exact voice cannot be heard , no exact rhythm of ...
... feel his Thief finding his way through the dark wood ? The rhythm and texture reveal he did not : the poet's arms , as it were , are waved in the direction of realiza- tion , but the exact voice cannot be heard , no exact rhythm of ...
Contenido
Introduction | 3 |
The True Voice of English Poetry | 17 |
Critical SelfDeception | 35 |
Derechos de autor | |
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accept adult alcoholic attitude becomes breast Captain Cat character Cherry Owens child childhood childish Country Sleep critical D. H. Lawrence D. W. Winnicott dark dead death disarming disguise dissociated dreams dust Dylan Thomas Dylan Thomas's poetry Edith Sitwell Eliot enacts English experience explore fear feel Fern Hill five-beat line flower force gesture give Hopkins's human hwyl imagery immaturity impulse infant infantile irresponsibility Jack Black Joyce Joyce's kind language Llareggub Llaregyb mature meaning meaningless metaphor Milk Wood moral mother mouth movement nature night nostalgia OGMORE Ogmore-Pritchard Olson pain perhaps phrase pity poem poet poet's poetic Polly Garter prose reader reality recoil rhythm rhythmic Richard Paget roots Rosie Probert seek seems sense sexual snart snayped sneap snitered sound special plea stanza suffering suggests symbols T. F. Powys T. S. ELIOT texture tion true voice Ulysses verbal Vernon Watkins verse vision vitality weaknesses wind words writing