Dylan Thomas and Poetic Dissociation, Volumen61Southern Illinois University Press, 1964 - 182 páginas |
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Página 37
... poet himself is no- ble . Does this mean in his person , or in the poetical " I " of the poetry ? If the first , how ... poet is through the communication of his work - then how is the nobility distinguishable from - how can it be ...
... poet himself is no- ble . Does this mean in his person , or in the poetical " I " of the poetry ? If the first , how ... poet is through the communication of his work - then how is the nobility distinguishable from - how can it be ...
Página 60
... poet's being considered as a signifi- cant poet . He remains hypnotized by Thomas's hwyl , cowed by Thomas's public acclaim , and disarmed by his appeal . There are many such responses and it has been a matter of approval that Dylan ...
... poet's being considered as a signifi- cant poet . He remains hypnotized by Thomas's hwyl , cowed by Thomas's public acclaim , and disarmed by his appeal . There are many such responses and it has been a matter of approval that Dylan ...
Página 69
... poet and himself , or the poet and the reader , or , at a long shot , the poet and his love , or the poet and his mother - though there follows a reference to " brothers " ) . Two proud benighted brothers we cry out , locked by the ...
... poet and himself , or the poet and the reader , or , at a long shot , the poet and his love , or the poet and his mother - though there follows a reference to " brothers " ) . Two proud benighted brothers we cry out , locked by the ...
Contenido
Introduction | 3 |
The True Voice of English Poetry | 17 |
Critical SelfDeception | 35 |
Derechos de autor | |
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accept adult alcoholic attitude becomes breast Captain Cat character Cherry Owens child childhood childish Country Sleep critical D. H. Lawrence D. W. Winnicott dark dead death disarming disguise dissociated dreams dust Dylan Thomas Dylan Thomas's poetry Edith Sitwell Eliot enacts English experience explore fear feel Fern Hill five-beat line flower force gesture give Hopkins's human hwyl imagery immaturity impulse infant infantile irresponsibility Jack Black Joyce Joyce's kind language Llareggub Llaregyb mature meaning meaningless metaphor Milk Wood moral mother mouth movement nature night nostalgia OGMORE Ogmore-Pritchard Olson pain perhaps phrase pity poem poet poet's poetic Polly Garter prose reader reality recoil rhythm rhythmic Richard Paget roots Rosie Probert seek seems sense sexual snart snayped sneap snitered sound special plea stanza suffering suggests symbols T. F. Powys T. S. ELIOT texture tion true voice Ulysses verbal Vernon Watkins verse vision vitality weaknesses wind words writing