Dylan Thomas and Poetic Dissociation, Volumen61Southern Illinois University Press, 1964 - 182 páginas |
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Página 8
... reality , rather than in reality itself . But they also impel him to seek " the good " by reparative impulses . Because these developmental processes in the growth of such a fine and delicate instrument as human consciousness can never ...
... reality , rather than in reality itself . But they also impel him to seek " the good " by reparative impulses . Because these developmental processes in the growth of such a fine and delicate instrument as human consciousness can never ...
Página 33
... reality , of ordered attitudes - towards , which is the voice of true poetry . I am suggesting that the finest texture of language in poetry depends , in the end , on an impulse towards truth , a more effective dealing with reality ...
... reality , of ordered attitudes - towards , which is the voice of true poetry . I am suggesting that the finest texture of language in poetry depends , in the end , on an impulse towards truth , a more effective dealing with reality ...
Página 62
... reality so that reality will not be used up , a deftness to vary the conception with every poem , with every year , with every new insight , a consuming making of reality in the form of poetry , so that the total depth of life will ...
... reality so that reality will not be used up , a deftness to vary the conception with every poem , with every year , with every new insight , a consuming making of reality in the form of poetry , so that the total depth of life will ...
Contenido
Introduction | 3 |
The True Voice of English Poetry | 17 |
Critical SelfDeception | 35 |
Derechos de autor | |
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accept adult alcoholic attitude becomes breast Captain Cat character Cherry Owens child childhood childish Country Sleep critical D. H. Lawrence D. W. Winnicott dark dead death disarming disguise dissociated dreams dust Dylan Thomas Dylan Thomas's poetry Edith Sitwell Eliot enacts English experience explore fear feel Fern Hill five-beat line flower force gesture give Hopkins's human hwyl imagery immaturity impulse infant infantile irresponsibility Jack Black Joyce Joyce's kind language Llareggub Llaregyb mature meaning meaningless metaphor Milk Wood moral mother mouth movement nature night nostalgia OGMORE Ogmore-Pritchard Olson pain perhaps phrase pity poem poet poet's poetic Polly Garter prose reader reality recoil rhythm rhythmic Richard Paget roots Rosie Probert seek seems sense sexual snart snayped sneap snitered sound special plea stanza suffering suggests symbols T. F. Powys T. S. ELIOT texture tion true voice Ulysses verbal Vernon Watkins verse vision vitality weaknesses wind words writing