Dylan Thomas and Poetic Dissociation, Volumen61Southern Illinois University Press, 1964 - 182 páginas |
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Página 36
... symbolism . . . why should Thomas have couched his poetry in symbols so esoteric ? . . . A symbol . . . exhibits something to us as an actuality , and so affects us more strongly [ than metaphor and simile which are “ figures of speech ...
... symbolism . . . why should Thomas have couched his poetry in symbols so esoteric ? . . . A symbol . . . exhibits something to us as an actuality , and so affects us more strongly [ than metaphor and simile which are “ figures of speech ...
Página 39
... symbols " exhibit to us actualities " how can they do so except by " figures of speech " ? What else , other than words and figures can convey " symbols " ? Perhaps Mr. Olson has been taught too rigidly at school that metaphors , like ...
... symbols " exhibit to us actualities " how can they do so except by " figures of speech " ? What else , other than words and figures can convey " symbols " ? Perhaps Mr. Olson has been taught too rigidly at school that metaphors , like ...
Página 40
... symbols affect us more strongly ( as " actualities " ) than by the metaphor and simile - the word - by which we apprehend the sym- bols ? 2 Olson has naively brought himself into an extraor- dinary dichotomy between language and symbol ...
... symbols affect us more strongly ( as " actualities " ) than by the metaphor and simile - the word - by which we apprehend the sym- bols ? 2 Olson has naively brought himself into an extraor- dinary dichotomy between language and symbol ...
Contenido
Introduction | 3 |
The True Voice of English Poetry | 17 |
Critical SelfDeception | 35 |
Derechos de autor | |
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accept adult alcoholic attitude becomes breast Captain Cat character Cherry Owens child childhood childish Country Sleep critical D. H. Lawrence D. W. Winnicott dark dead death disarming disguise dissociated dreams dust Dylan Thomas Dylan Thomas's poetry Edith Sitwell Eliot enacts English experience explore fear feel Fern Hill five-beat line flower force gesture give Hopkins's human hwyl imagery immaturity impulse infant infantile irresponsibility Jack Black Joyce Joyce's kind language Llareggub Llaregyb mature meaning meaningless metaphor Milk Wood moral mother mouth movement nature night nostalgia OGMORE Ogmore-Pritchard Olson pain perhaps phrase pity poem poet poet's poetic Polly Garter prose reader reality recoil rhythm rhythmic Richard Paget roots Rosie Probert seek seems sense sexual snart snayped sneap snitered sound special plea stanza suffering suggests symbols T. F. Powys T. S. ELIOT texture tion true voice Ulysses verbal Vernon Watkins verse vision vitality weaknesses wind words writing