The Poetical Works of John Milton

Createspace Independent Pub, 2013 M04 25 - 432 páginas
This edition of Milton's Poetry is a reprint, as careful as Editor and Printers have been able to make it, from the earliest printed copies of the several poems. First the 1645 volume of the Minor Poems has been printed entire; then follow in order the poems added in the reissue of 1673; the Paradise Lost, from the edition of 1667; and the Paradise Regain'd and Samson Agonistes from the edition of 1671. The most interesting portion of the book must be reckoned the first section of it, which reproduces for the first time the scarce small octavo of 1645. The only reprint of the Minor Poems in the old spelling, so far as I know, is the one edited by Mitford, but that followed the edition of 1673, which is comparatively uninteresting since it could not have had Milton's oversight as it passed through the press. We know that it was set up from a copy of the 1645 edition, because it reproduces some pointless eccentricities such as the varying form of the chorus to Psalm cxxxvi; but while it corrects the errata tabulated in that edition it commits many more blunders of its own. It is valuable, however, as the editio princeps of ten of the sonnets and it contains one important alteration in the Ode on the Nativity. This and all other alterations will be found noted where they occur. I have not thought it necessary to note mere differences of spelling between the two editions but a word may find place here upon their general character. Generally it may be said that, where the two editions differ, the later spelling is that now in use. Thus words like goddess, darkness, usually written in the first edition with one final s, have two, while on the other hand words like vernall, youthfull, and monosyllables like hugg, farr, lose their double letter. Many monosyllables, e.g. som, cours, glimps, wher, vers, aw, els, don, ey, ly, so written in 1645, take on in 1673 an e mute, while words like harpe, windes, onely, lose it. By a reciprocal change ayr and cipress become air and cypress; and the vowels in daign, vail, neer, beleeve, sheild, boosom, eeven, battail, travailer, and many other words are similarly modernized. On the other hand there are a few cases where the 1645 edition exhibits the spelling which has succeeded in fixing itself, as travail (1673, travel) in the sense of labour; and rob'd, profane, human, flood and bloody, forest, triple, alas, huddling, are found where the 1673 edition has roab'd, prophane, humane, floud and bloudy, forrest, tripple, alass and hudling. Indeed the spelling in this later edition is not untouched by seventeenth century inconsistency. It retains here and there forms like shameles, cateres, (where 1645 reads cateress), and occasionally reverts to the older-fashioned spelling of monosyllables without the mute e. In the Epitaph on the Marchioness of Winchester, it reads—' And som flowers and some bays.' But undoubtedly the impression on the whole is of a much more modern text.

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John Milton, English scholar and classical poet, is one of the major figures of Western literature. He was born in 1608 into a prosperous London family. By the age of 17, he was proficient in Latin, Greek, and Hebrew. Milton attended Cambridge University, earning a B.A. and an M.A. before secluding himself for five years to read, write and study on his own. It is believed that Milton read evertything that had been published in Latin, Greek, and English. He was considered one of the most educated men of his time. Milton also had a reputation as a radical. After his own wife left him early in their marriage, Milton published an unpopular treatise supporting divorce in the case of incompatibility. Milton was also a vocal supporter of Oliver Cromwell and worked for him. Milton's first work, Lycidas, an elegy on the death of a classmate, was published in 1632, and he had numerous works published in the ensuing years, including Pastoral and Areopagitica. His Christian epic poem, Paradise Lost, which traced humanity's fall from divine grace, appeared in 1667, assuring his place as one of the finest non-dramatic poet of the Renaissance Age. Milton went blind at the age of 43 from the incredible strain he placed on his eyes. Amazingly, Paradise Lost and his other major works, Paradise Regained and Samson Agonistes, were composed after the lost of his sight. These major works were painstakingly and slowly dictated to secretaries. John Milton died in 1674.

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