Music Theory: Problems and Practices in the Middle Ages and Renaissance. WorkbookU of Minnesota Press, 1977 M01 1 - 267 páginas |
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Página viii
... rhythm , vertical rela- tionships , notations , and forms . Students are expected to have developed a good , basic reading ability . In addition , an understanding of fundamental con- cepts like the following is highly desirable : the ...
... rhythm , vertical rela- tionships , notations , and forms . Students are expected to have developed a good , basic reading ability . In addition , an understanding of fundamental con- cepts like the following is highly desirable : the ...
Página xi
... Rhythmic modal notation 5 Franconian notation 14 Summary 20 Chapter 2 Plainsong . 23 The ecclesiastical modes 25 Plainsong line 29 Placement of text 31 Solmization 32 Summary 34 Chapter 3 Monophonic Forms . 36 Plainsong for the Mass and ...
... Rhythmic modal notation 5 Franconian notation 14 Summary 20 Chapter 2 Plainsong . 23 The ecclesiastical modes 25 Plainsong line 29 Placement of text 31 Solmization 32 Summary 34 Chapter 3 Monophonic Forms . 36 Plainsong for the Mass and ...
Página xiii
... Rhythmic complexities Summary 139 130 131 Part Two . The Renaissance 126 130 Chapter 11 Transition 143 White ... Rhythm 154 Counterpoint 157 Cadences 158 Form 161 Compositional considerations Summary 168 Middle and Late Fifteenth ...
... Rhythmic complexities Summary 139 130 131 Part Two . The Renaissance 126 130 Chapter 11 Transition 143 White ... Rhythm 154 Counterpoint 157 Cadences 158 Form 161 Compositional considerations Summary 168 Middle and Late Fifteenth ...
Página xiv
... Rhythmic characteristics . 211 Text treatment 212 General observations 213 Summary 216 Chapter 17 Palestrina : Part Two Two - voice counterpoint Dissonance treatment 218 220 Three ( and more ) voice counterpoint Concluding observations ...
... Rhythmic characteristics . 211 Text treatment 212 General observations 213 Summary 216 Chapter 17 Palestrina : Part Two Two - voice counterpoint Dissonance treatment 218 220 Three ( and more ) voice counterpoint Concluding observations ...
Página 3
... rhythms or upon the requirements and limitations of a liturgy it was designed to serve . The problems are largely ... rhythmic modal , and Franconian . The periods 3 Chapter 1 Notation.
... rhythms or upon the requirements and limitations of a liturgy it was designed to serve . The problems are largely ... rhythmic modal , and Franconian . The periods 3 Chapter 1 Notation.
Otras ediciones - Ver todas
Workbook/anthology for Music Theory: Problems and Practices in the Middle ... Lloyd Ultan Sin vista previa disponible - 1977 |
Términos y frases comunes
Agnus alto appear ascending ballade basic bass beat beginning breve cadence cadential canon cantus firmus chanson Chapter chord composers compositional conductus contrapuntal counterpoint descending discussion dissonant Dufay earlier edition of Desclee employed face ay pale fifth final followed fourteenth century fourth Franconian Gloria half note harmonic hocket imitation imperfect interpretation interval isorhythmic Kyrie section leading-tone Liber Usualis ligature linear literature longa lower voice Machaut madrigal Mass measures melismatic melodic meter Middle Ages Missa Pange Lingua modal notation monophonic motet motion neumes octave organum Palestrina passage pattern perfect consonances period phrase piece pitch plainsong plica polyphonic possible practice principal prolation quarter notes relationships Reprinted with permission rhythm rhythmic modes sacred Sanctus secular music semibreve shown in Example skip soprano step style syllable syncopation taleae technique tenor texture tion tone Tournai-Doornik treatment triads unison upper voice vertical virelai vox principalis Willi Apel
Pasajes populares
Página 250 - Et incarnatus est de Spiritu Sancto ex Maria Virgine; et homo factus est. Crucifixus etiam pro nobis: sub Pontio Pilato passus, et sepultus est. Et resurrexit tertia die, secundum Scripturas.
Página 250 - God of God, Light of Light, Very God of very God, Begotten, not made, Being of one substance with the Father ; By whom all things were made : Who for us men, and for our salvation came down from heaven, And was incarnate by the Holy Ghost of the Virgin Mary, And was made man...
Página 250 - We look for the resurrection of the dead, And the life of the world to come. Amen.
Página 250 - And in the Holy Ghost the Lord and Giver of life, who proceedeth from the Father and the Son ; who together with the Father and the Son is adored and glorified ; who spoke by the prophets : — and one holy, catholic and apostolic church.
Página 250 - On the third day he rose again in fulfillment of the Scriptures; he ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead.
Página 250 - Agnus Dei, qui tollis peccata mundi; miserere nobis. Agnus Dei, qui tollis peccata mundi; miserere nobis. Agnus Dei, qui tollis peccata mundi; dona nobis pacem.
Página 250 - Et in Spiritum Sanctum, Dominum, et vivificantem: qui ex Patre Filioque procedit. Qui cum Patre et Filio simul adoratur, et conglorificatur: qui locutus est per Prophetas. Et unam sanctam catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et exspecto resurrectionem mortuorum. Et vitam venturi saeculi. Amen.
Página 250 - Sanctus, Sanctus, Sanctus Dominus Deus Sabaoth. Pleni sunt coeli et terra gloria tua. Hosanna in excelsis. Benedictus qui venit in nomine Domini. Hosanna in excelsis.
Página 250 - Holy, holy, holy, Lord God of Sabaoth. Heaven and earth are full of Thy glory. Hosanna in the highest.
Página 250 - Patris; et iterum venturus est cum gloria judicare vivos et mortuos; cujus regni non erit finis. Et in Spiritum Sanctum, Dominum et vivificantem ; qui ex Patre Filioque procedit, qui cum Patre et Filio simul adoratur et conglorificatur, qui locutus est per Prophetas. Et unam, sanctam, catholicam, et apostolicam Ecclesiam. Confiteor unum Baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum ; et vitam venturi saeculi. Amen.
Referencias a este libro
The Goodly Spellbook: Olde Spells for Modern Problems Dixie Deerman,Steve Rasmussen Vista previa limitada - 2008 |