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ON THE ARISTOCRACY OF LETTERS.
“ Ha! here's three of us are sophisticated :-off, you lende ings.” _
THERE is such a thing as an aristocracy or privileged order in letters, which has sometimes excited my wonder, and sometimes my spleen. We meet with authors who have never done any thing, but who have a vast reputation for what they could have done. Their names stand high, and are in every body's mouth, but their works are never heard of, or had better remain undiscovered for the sake of their admirers.-Stat nominis umbra-their pretensions are lofty and unlimited, as they have nothing to rest upon, or because it is impossible to confront them with the proofs of their deficiency. If you inquire farther, and insist upon some act of authorship to establish the claims of these Epicurean votaries of the Muses, you find that they had a great reputation at Cambridge, that they were senior wranglers or successful prize-essayists, that they visit at — House, and to support that honour, must be supposed
of course to occupy the first rank in the world of letters *. It is possible, however, that they have some manuscript work in hand, which is of too much importance (and the writer has too much at stake in publishing it) hastily to see the light: or perhaps they once had an article in the Edinburgh Review, which was much admired at the time, and is kept by them ever since as a kind of diploma and unquestionable testimonial of merit. They are not like Grubstreet authors, who write for bread, and are paid by the sheet. Like misers who hoard their wealth, they are supposed to be masters of all the wit and sense they do not impart to the public. . “ Continents have most of what they contain,” says à considerable philosopher; and these persons, it must be confessed, have a prodigious command over themselves in the expenditure of light and learning. The Oriental curse—“ ( that mine enemy had written a book”-hangs suspended over them. By never committing themselves, they neither give a handle to the malice of the world, nor excite the jealousy of friends; and keep all the reputation they have got, not by discreetly blotting, but by never writing a line. Some one told Sheridan, who was always busy about some new work and never advancing any farther in it, that he would not write because he was afraid of the Author of the School for Scandal. So these idle pretenders are afraid of undergoing a comparison with themselves in something they have never done, but have had credit for doing. They do not acquire celebrity, they assume it ; and escape detection by never venturing out of their imposing and mysterious incognito. They do not let themselves down by every-day work: for them to appear in print is a work of supererogation as much as in lords or kings, and like gentlemen with a large landed estate, they live on their established character, and do nothing (or as little as possible) to increase or lose it. There is not a more deliberate piece of grave imposture going. I know a person of this description who has been employed many years (by implication) on a translation
* Lord H -had made a diary (in the manner of Boswell) of the conversation held at his house, and read it at the end of a week pro bono publico. Sir J-M made a considerable figure in it, and a celebrated poet none at all, merely answering Yes and No. With this result he was by no means satisfied, and talked incessantly from that day forward. At the end of the week he asked, with some anxiety and triumph, if his Lordship had continued his diary, expecting himself to shine in “ the first row of the rubric.” To which his Noble Patron answered in the negative, with an intimation that it had not appeared to him worth while. Our poet was thus thrown again into the back ground, and Sir James remained master of the field !
of Thucydides, of which no one ever saw a word, but it does not answer the purpose of bolstering up a factitious reputation the less on that account. The longer it is delayed and kept sacred from the vulgar gaze, the more it swells into imaginary consequence; the labour and care required for a work of this kind being immense :-and then there are no faults in an unexecuted translation. The only impeccable writers are those who never wrote. Another is an oracle on subjects of taste and classical erudition, because (he says at least) he reads Cicero once a year to keep up the purity of his Latinity. A third makes the indecency pass for the depth of his researches and for a high gusto in virtù, till from his seeing nothing in the finest remains of ancient art, the world by the merest accident find out that there is nothing in him. There is scarcely any thing that a grave face with an impenetrable manner will not accomplish, and whoever is weak enough to impose upon himself, will have wit enough to impose upon the public-particularly if he can make it their interest to be deceived by shallow boasting, and contrives not to hurt their self-love by sterling acquirements. Do you suppose that the understood translation of Thucydides costs its supposed author nothing? A select party of friends and admirers dine with him once a week at a magnificent town-mansion,