The Complete Works of William ShakespeareDigiCat, 2022 M11 13 - 1500 páginas The Complete Works of William Shakespeare, presented by DigiCat, encompasses the full spectrum of Shakespeare's literary genius. From the whimsical flights of romantic comedies such as 'A Midsummer Night's Dream' to the deep psychological torment found within tragedies like 'Hamlet,' this collection aggregates the Bard's prolific contributions to the stage. Literary scholars have rigorously edited the texts, ensuring authentic representation of the writer's original intent. Within his work, Shakespeare weaves a complex tapestry of early modern English language, making his writings crucial both in understanding the socio-linguistic context of the Elizabethan era and as timeless pieces of art. The compilation includes familial betrayal, regal machinations, and the exploration of love in its myriad forms, procuring its place in a continuum of relevance and scholarship in literature. William Shakespeare's legacy as a dramatist and poet aligns with the profound impact his works have had on literature and the human condition. Born in the latter half of the sixteenth century, his writings reflect the sociopolitical dynamics of Renaissance England and conceptual universality, allowing him to delve into the emotional wellsprings of humanity. The Complete Works not only bears witness to Shakespeare's unrivaled skill in capturing the vibrancy of human emotions but also serves to showcase the transition from the medieval worldview to the early inklings of modernity. It is this timeless relevance, coupled with the rich tapestry of language and unparalleled insight into the human psyche, that prompted DigiCat to curate this comprehensive edition. Bringing to readership the essence of literature's formidable titan, The Complete Works of William Shakespeare is an indispensable treasure for those who seek to immerse themselves in the mastery of storytelling and poetic eloquence. Perfect for students, scholars, and enthusiasts of classic literature, this edition invites a profound engagement with texts that have shaped the cultural fabric of the world. It becomes a map through which one can navigate the profound questions of existence and morality that have resonated through the ages. One cannot help but recommend this tome to any soul yearning to partake in the narrative and dramatic feast that has enraptured audiences for centuries. |
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William Shakespeare. Do not throw from you:—and you, my lord, farewell;— Share the advice betwixt you; if both gain all, The gift doth stretch itself as 'tis received, And is enough for both. FIRST LORD. It is our hope, sir, After well ...
William Shakespeare. Do not throw from you:—and you, my lord, farewell;— Share the advice betwixt you; if both gain all, The gift doth stretch itself as 'tis received, And is enough for both. FIRST LORD. It is our hope, sir, After well ...
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... LORD. There's honour in the theft. PAROLLES. Commit it, count. SECOND LORD. I am your accessary; and so farewell. BERTRAM. I grow to you, and our parting is a tortured body. FIRST LORD. Farewell, captain. SECOND LORD. Sweet Monsieur ...
... LORD. There's honour in the theft. PAROLLES. Commit it, count. SECOND LORD. I am your accessary; and so farewell. BERTRAM. I grow to you, and our parting is a tortured body. FIRST LORD. Farewell, captain. SECOND LORD. Sweet Monsieur ...
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... Lord, sir!—Nay, put me to't, I warrant you. COUNTESS. You were lately whipped, sir, as I think. CLOWN. O Lord, sir!—Spare not me. COUNTESS. Do you cry 'O Lord, sir!' at your whipping, and 'spare not me'? Indeed your 'O Lord, sir!' is ...
... Lord, sir!—Nay, put me to't, I warrant you. COUNTESS. You were lately whipped, sir, as I think. CLOWN. O Lord, sir!—Spare not me. COUNTESS. Do you cry 'O Lord, sir!' at your whipping, and 'spare not me'? Indeed your 'O Lord, sir!' is ...
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... lord and PAROLLES. I know not how I have deserved to run into my lord's displeasure. you, monsieur? LAFEU. You have made shift to run into 't, boots and spurs and all, like him that leapt into the custard; and out of it you'll run again ...
... lord and PAROLLES. I know not how I have deserved to run into my lord's displeasure. you, monsieur? LAFEU. You have made shift to run into 't, boots and spurs and all, like him that leapt into the custard; and out of it you'll run again ...
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... LORD. If your lordship find him not a hilding, hold me no more in your respect. FIRST LORD. On my life, my lord, a bubble. BERTRAM. Do you think I am so far deceived in him? FIRST LORD. Believe it, my lord, in mine own direct knowledge ...
... LORD. If your lordship find him not a hilding, hold me no more in your respect. FIRST LORD. On my life, my lord, a bubble. BERTRAM. Do you think I am so far deceived in him? FIRST LORD. Believe it, my lord, in mine own direct knowledge ...
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ANGELO answer ANTIPHOLUS OF SYRACUSE ANTONIO ARMADO BASSANIO bear BEATRICE BENEDICK BEROWNE BERTRAM better BOYET bring brother CELIA CLAUDIO CLOWN comes COSTARD COUNTESS daughter death DEMETRIUS desire DON PEDRO doth DROMIO OF SYRACUSE DUKE Enter EPHESUS ESCALUS EVANS Exeunt Exit eyes face fair faith FALSTAFF father fear follow fool FORD give gone grace hand hast hath head hear heart heaven HELENA HERO hold honour hope hour husband I’ll ISABELLA John keep KING lady LAFEU leave LEONATO live look lord LUCIO LYSANDER madam marry Master mean meet Mistress MOTH never night ORLANDO PAGE PAROLLES play poor PORTIA pray PRINCESS PROVOST QUICKLY ROSALIND SCENE SECOND SHALLOW SHYLOCK SLENDER speak stand stay sweet tell thank thee thing thou thou art true wife woman young