The wight, whose tale these artless lines unfold, And yet poor Edwin was no vulgar boy, Some deem'd him wondrous wise, and some believed him mad. But why should I his childish feats display? Concourse, and noise, and toil, he ever fled; Nor cared to mingle in the clamorous fray Of squabbling imps; but to the forest sped, Or roam'd at large the lonely mountain's head, Or, where the maze of some bewilder'd stream To deep untrodden groves his footsteps led, There would he wander wild, till Phoebus' beam, Shot from the western cliff, released the weary team. Th' exploit of strength, dexterity, or speed, By trap, or net; by arrow, or by sling; And oft the craggy cliff he loved to climb, When all in mist the world below was lost. What dreadful pleasure! there to stand sublime, Like shipwreck'd mariner on desert coast, And view th' enormous waste of vapour, tost In billows, lengthening to the horizon round, Now scoop'd in gulfs, with mountains now emboss'd! And hear the voice of mirth and song rebound, Flocks, herds, and waterfalls, along the hoar profound! In truth he was a strange and wayward wight, Fond of each gentle, and each dreadful scene. In darkness, and in storm, he found delight : Nor less, than when on ocean-wave serene The southern sun diffused his dazzling shene. Even sad vicissitude amused his soul: And if a sigh would sometimes intervene, And down his cheek a tear of pity roll, A sigh, a tear, so sweet, he wish'd not to control. "O ye wild groves, O where is now your bloom!" (The Muse interprets thus his tender thought) "Your flowers, your verdure, and your baliny gloom, Of late so grateful in the hour of drought! And the dead foliage flies in many a shapeless flake. "Where now the rill, melodious, pure, and cool, Fled each fair form, and mute each melting sound, And sure the sylvan reign unbloody joy might Uproots the grove, and rolls the shatter'd rocks yield. Lo! where the stripling, rapt in wonder, roves Beneath the precipice o'erhung with pine; And sees, on high, amidst th' encircling groves, From cliff to cliff the foaming torrents shine : While waters, woods, and winds, in concert join, And echo swells the chorus to the skies. Would Edwin this majestic scene resign For aught the huntsman's puny craft supplies? Ah! no he better knows great Nature's charms to prize. And oft he traced the uplands, to survey, When o'er the sky advanced the kindling dawn, But lo! the sun appears! and heaven, earth, ocean, smile. away. "Yet such the destiny of all on earth: Fair is the bud his vernal morn brings forth, Borne on the swift, though silent, wings of Time, Old age comes on apace to ravage all the clime. "And be it so. Let those deplore their doom, Whose hope still grovels in this dark sojourn : But lofty souls, who look beyond the tomb, Can smile at Fate, and wonder how they mourn. Shall Spring to these sad scenes no more return? Is yonder wave the sun's eternal bed? Soon shall the orient with new lustre burn, And Spring shall soon her vital influence shed, Again attune the grove, again adorn the mead. "Shall I be left forgotten in the dust, When Fate, relenting, lets the flower revive? Shall Nature's voice, to man alone unjust, Bid him, though doom'd to perish, hope to live? Is it for this fair Virtue oft must strive With disappointment, penury, and pain? No Heaven's immortal springs shall yet arrive, And man's majestic beauty bloom again, Bright through th' eternal year of Love's triumphant reign." This truth sublime his simple sire had taught. In sooth, 'twas almost all the shepherd knew. No subtile nor superfluous lore he sought, Nor ever wish'd his Edwin to pursue. "Let man's own sphere," said he, "confine his view, Be man's peculiar work his sole delight." And much, and oft, he warn'd him to eschew Falsehood and guile, and aye maintain the right, By pleasure unseduced, unawed by lawless might. "And from the prayer of Want, and plaint of Woe, See, in the rear of the warm sunny shower The visionary boy from shelter fly; For now the storm of summer-rain is o'er, And cool, and fresh, and fragrant is the sky. And, lo! in the dark east, expanded high, The rainbow brightens to the setting sun! Fond fool, that deem'st the streaming glory nigh, How vain the chase thine ardour has begun! "Tis fled afar, ere half thy purposed race be run. Yet couldst thou learn, that thus it fares with age, When pleasure, wealth, or power, the bosom warm, This baffled hope might tame thy manhood's rage, And disappointment of her sting disarm. But why should foresight thy fond heart alarm? Perish the lore that deadens young desire; Pursue, poor imp, th' imaginary charm, Indulge gay hope, and fancy's pleasing fire: Fancy and hope too soon shall of themselves expire. When the long-sounding curfew from afar Or blast that shrieks by fits the shuddering aisles along. Or when the setting moon, in crimson dyed, Anon in view a portal's blazon'd arch With merriment, and song, and timbrels clear, blaze. The dream is fled. Proud harbinger of day, Who scared'st the vision with thy clarion shrill, Fell chanticleer! who oft hath reft away My fancied good, and brought substantial ill! O to thy cursed scream, discordant still, Let harmony aye shut her gentle ear : Thy boastful mirth let jealous rivals spill, Insult thy crest, and glossy pinions tear, And ever in thy dreams the ruthless fox appear. Forbear, my Muse. Let Love attune thy line, Revoke the spell. Thine Edwin frets not so. For how should he at wicked chance repine, Who feels from every change amusement flow! Even now his eyes with smiles of rapture glow, As on he wanders through the scenes of morn, Where the fresh flowers in living lustre blow, Where thousand pearls the dewy lawns adorn, A thousand notes of joy in every breeze are borne. ; But who the melodies of morn can tell! The wild brook babbling down the mountain side; The lowing herd; the sheepfold's simple bell; The pipe of early shepherd dim descried In the lone valley; echoing far and wide, The clamorous horn along the cliffs above; The hollow murmur of the ocean-tide; The hum of bees, the linnet's lay of love, And the full choir that wakes the universal grove. The cottage-curs at early pilgrim bark ; Crown'd with her pail the tripping milkmaid sings; The whistling ploughman stalks afield; and,hark! Down the rough slope the ponderous waggon rings; Through rustling corn the hare astonish'd springs; Slow tolls the village-clock the drowsy hour; The partridge bursts away on whirring wings; Deep mourns the turtle in sequester'd bower, And shrill lark carols clear from her aërial tour. O Nature, how in every charm supreme! Whose votaries feast on raptures ever new! O for the voice and fire of seraphim, To sing thy glories with devotion due ! Blest be the day I 'scaped the wrangling crew, From Pyrrho's maze, and Epicurus' sty; And held high converse with the godlike few, Who to th' enraptured heart, and ear, and eye, Teach beauty, virtue, truth, and love, and melody. Hence! ye, who snare and stupify the mind, (Though loath on theme so mean to waste a rhyme), With vengeance to pursue your sacrilegious crime. But hail, ye mighty masters of the lay, Nature's true sons, the friends of man and truth! Whose song, sublimely sweet, serenely gay, Amused my childhood, and inform'd my youth. O let your spirit still my bosom sooth, Inspire my dreams, and my wild wanderings guide; Your voice each rugged path of life can smooth, For well I know wherever ye reside, There harmony, and peace, and innocence abide. Ah me! neglected on the lonesome plain, Wonder and joy ran thrilling to his heart; Much he the tale admired, but more the tuneful art. Various and strange was the long-winded tale; And ply in caves th' unutterable trade [blood, 'Midst fiends and spectres, quench the moon in Yell in the midnight storm, or ride th' infuriate flood. But when to horror his amazement rose, The orphan-babes, and guardian uncle fierce. O cruel! will no pang of pity pierce That heart, by lust of lucre sear'd to stone? For sure, if aught of virtue last, or verse, To latest times shall tender souls bemoan Those hopeless orphan babes by thy fell arts undone. Behold, with berries smear'd, with brambles torn, This deed with fruitless tears shalt soon deplore, When Death lays waste thy house, and flames consume thy store. A stifled smile of stern vindictive joy Brighten'd one moment Edwin's starting tear, "But why should gold man's feeble mind decoy, And innocence thus die by doom severe ?" O Edwin! while thy heart is yet sincere, Th' assaults of discontent and doubt repel : Dark even at noontide is our mortal sphere; But let us hope; to doubt is to rebel; Let us exult in hope, that all shall yet be well. Nor be thy generous indignation check'd, Nor check'd the tender tear to Misery given; From guilt's contagious power shall that protect, This soften and refine the soul for Heaven. But dreadful is their doom, whom doubt has driven To censure Fate, and pious Hope forego: Like yonder blasted boughs by lightning riven, Perfection, beauty, life, they never know, But frown on all that pass, a monument of woe. Shall he, whose birth, maturity, and age Or shall frail man Heaven's dread decree gainsay, One part, one little part, we dimly scan Through the dark medium of life's feverish dream; Yet dare arraign the whole stupendous plan, If but that little part incongruous seem. Nor is that part perhaps what mortals deem; Oft from apparent ill our blessings rise. Oh then renounce that impious self-esteem, That aims to trace the secrets of the skies: For thou art but of dust; be humble, and be wise. Thus Heaven enlarged his soul in riper years, For Nature gave him strength, and fire, to soar On Fancy's wing above this vale of tears; Where dark, cold-hearted sceptics, creeping, pore Through microscope of metaphysic lore: And much they grope for truth, but never hit. For why? Their powers, inadequate before, This idle art makes more and more unfit; Yet deem they darkness light, and their vain blunders wit. Nor was this ancient dame a foe to mirth: Her ballad, jest, and riddle's quaint device Oft cheer'd the shepherds round their social hearth; Whom levity or spleen could ne'er entice To purchase chat, or laughter, at the price Of decency. Nor let it faith exceed, That Nature forms a rustic taste so nice. Ah! had they been of court or city breed, Such delicacy were right marvellous indeed. Oft when the winter storm had ceased to rave, Thence musing onward to the sounding shore, Even then he hasten'd from the haunt of man, ran. Responsive to the sprightly pipe, when all In sprightly dance the village youth were join'd, Edwin, of melody aye held in thrall, From the rude gambol far remote reclined, Soothed with the soft notes warbling in the wind. Ah, then all jollity seem'd noise and folly: To the pure soul by Fancy's fire refined, Ah, what is mirth but turbulence unholy, When with the charm compared of heavenly melancholy! Is there a heart that music cannot melt ? He needs not woo the Muse; he is her scorn. mourn, And delve for life in Mammon's dirty mine; Sneak with the scoundrel fox, or grunt with glutton swine. For Edwin Fate a nobler doom had plann'd ; For this of time and culture is the fruit ; Meanwhile, whate'er of beautiful or new, Sublime or dreadful, in earth, sea, or sky, By chance, or search, was offer'd to his view, He scann'd with curious and romantic eye. Whate'er of lore tradition could supply From Gothic tale, or song, or fable old, Roused him, still keen to listen and to pry. At last, though long by penury controll'd, And solitude, her soul his graces 'gan unfold. Thus on the chill Lapponian's dreary land, Torrents are hurl'd; green hills emerge; and lo, The trees with foliage,cliffs with flowers,are crown'd; Pure rills through vales of verdure warbling go; And wonder, love, and joy, the peasant's heart o'erflow. Here pause, my Gothic lyre, a little while; The leisure hour is all that thou canst claim. But on this verse if Montague* should smile, New strains ere long shall animate thy frame; And her applause to me is more than fame; For still with truth accords her taste refined. At lucre or renown let others aim, I only wish to please the gentle mind, Whom Nature's charms inspire, and love of human *Mrs. Montague.] [kind. J CHRISTOPHER ANSTEY. [Born, 1724. Died, 1805.] THIS light and amusing poet was the son of the Rev. Dr. Anstey, rector of Brinkeley, in Cambridgeshire, who had been a fellow of St. John's College, Cambridge. When very young, he was sent to school at Bury St. Edmunds. From thence he was removed to Eton, and placed at the fourth form, as an oppidan, and afterwards on the foundation. He finished his studies at Eton with a creditable character, and in 1741 went as captain to the Mount. From thence he went to Cambridge, where he obtained some reputation by his Tripos verses. In 1745, he was admitted fellow of King's college, and in the following year took his bachelor's degree in the university. When he had nearly completed the terms of his qualification for that of master of arts, he was prevented from obtaining it in consequence of what his own son, his biographer, calls a spirited and popular opposition, which he showed to the leading men of the university. The phrase of "popular and spirited opposition," sounds promising to the curiosity; but the reader must not expect too much, lest he should be disappointed by learning that this popular opposition was only his refusing to deliver certain declamations, which the heads of the university (unfairly it was thought) required from the bachelors of King's College. Anstey, as senior of the order of bachelors, had to deliver the first oration. He contrived to begin his speech with a rhapsody of adverbs, which, with no direct meaning, hinted a ridicule on the arbitrary injunction of the university rulers. They soon ordered him to dismount from the rostrum, and called upon him for a new declamation, which, as might be expected, only gave him an opportunity of pointing finer irony in the shape of an apology. This affront was not forgotten by his superiors; and when he applied for his degree, it was refused to him. In the year 1756 he married Miss Calvert, sister to his oldest and most intimate friend John Calvert, Esq. of Albury Hall, in Hertfordshire, and sat in several successive parliaments for the borough of Hertford. Having succeeded, after his marriage, to his father's estate, he retired to the family seat in Cambridgeshire, and seems to have spent his days in that smooth happiness which gives life few remarkable eras. He was addicted to the sports of the field and the amusements of the country, undisturbed by ambition, and happy in the possession of friends and fortune. His first literary effort which was published, was his translation of Gray's Elegy in a Churchyard into Latin verse, in which he was assisted by Dr. Roberts, author of "Judah Restored." He was personally acquainted with Gray, and derived from him the benefit of some remarks on his translation. His first publication in English verse was "The New Bath Guide," which appeared in 1766. The droll and familiar manner of the poem is original; but its leading characters are evidently borrowed from Smollett. Anstey gave the copy price of the piece, which was £200, as a charitable donation to the hospital of Bath; and Dodsley, to whom it had been sold, with remarkable generosity restored the copyright to its author, after it had been eleven years published. His other works hardly require the investigation of their date. In the decline of life he meditated a collection of his letters and poems; but letters recovered from the repositories of dead friends are but melancholy readings; and, probably overcome by the sensations which they excited, he desisted from his collection. After a happy enjoyment of life (during fifty years of which he had never been confined to bed, except one day, by an accidental hurt upon his leg), he quietly resigned his existence, at the house of his son-in-law, Mr. Bosanquet, in his eighty-first year, surrounded by his family, and retaining his faculties to the last. FROM THE NEW BATH GUIDE. LETTER XIII. Mr. SIMKIN B-N-R-D to Lady B-N-R-D, at Hall North. A Public Breakfast-Motives for the same-A List of the [* Anstey was the original, for Humphrey Clinker was not out till 1771, nor written before 1770. This inadvertency of Mr. Campbell has been pointed out by Lord Byron in the Appendix to the 5th Canto of Don Juan. Do the gods such a noble ambition inspire; "But Anstey's diverting satire," says Sir Walter Scott, "was but a slight sketch, compared to the finished and elaborate manner in which Smollett has, in the first place, identified his characters, and then fitted them with language. sentiments, and powers of observation, in exact correspondence with their talents, temper, condition, and disposition."--Misc. Pr. Works, vol. iii. p. 160.] |