Bulletin of the New York Public Library, Volumen80New York Public Library., 1976 Vol. 67, no. 6 (June 1963) includes article introducing Esther Elisabeth Larson's Swedish commentators on America, 1638-1865. |
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Página 62
... Wesley's hymns has never accepted those words as a simple quid - pro - quo value judgment , and many guesses have been made as to their meaning . I shall make my guess ; for in it is my estimate of the relation of Wesley hymnody to John ...
... Wesley's hymns has never accepted those words as a simple quid - pro - quo value judgment , and many guesses have been made as to their meaning . I shall make my guess ; for in it is my estimate of the relation of Wesley hymnody to John ...
Página 63
... Wesley as drama . The world of the theatre entered into the English hymn by way of the Wesleys . No more than Watts did they ever enter a theatre . After John Wesley's death , John Pawson destroyed his annotated Shakespeare lest the ...
... Wesley as drama . The world of the theatre entered into the English hymn by way of the Wesleys . No more than Watts did they ever enter a theatre . After John Wesley's death , John Pawson destroyed his annotated Shakespeare lest the ...
Página 64
... Wesley hymnody developed not in Georgia but centered in London where the music was , with complete freedom in choice of tunes because no hymn had any official connection with the Church . The doctrine of Wesley hymns is the pure and ...
... Wesley hymnody developed not in Georgia but centered in London where the music was , with complete freedom in choice of tunes because no hymn had any official connection with the Church . The doctrine of Wesley hymns is the pure and ...
Contenido
Front Matter | 4 |
John Milton and the Performing Arts | 19 |
Loutherbourgs Eidophusikon and Two Scenes from Paradise Lost | 71 |
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