K. Hen. The king himself; who, Douglas, grieves at heart, So many of his shadows thou hast met, Doug. I fear thou art another counterfeit; [They fight; the King being in danger, re-enter Prince HENRY. Never to hold it up again! the spirits P. Hen. O Heaven! they did me too much injury That ever said I hearken'd 1 for your death. I am the Prince of Wales; and think not, Percy, Hot. Nor shall it, Harry; for the hour is come And all the budding honours on thy crest [They fight. Enter FALSTAFF. Fal. Well said,4% Hal! to it, Hal!-Nay, you shall find no boy's play here, I can tell you. Re-enter DOUGLAS; he fights with FALSTAFF, who falls down as if he were dead, and exit DOUGLAS. HOTSPUR is wounded, and falls. O Harry, thou hast robb'd me of my youth! Hot. I better brook the loss of brittle life, : But thought's the slave of life, and life time's fool; 43 And time, that takes survey of all the world, yet eventually became their prey. See Note 2, Act iii., "Measure for Measure." 'Is' must be elliptically understood after "life;" the "'s" belonging to "thought's," in the same line, being understood as repeated. The reading of the first Quarto, thoughts the slaves of life,' gives a different construction to the entire passage; and though affording a clear consecution, yet we think the one presented by the reading in our text (that of all the other Quartos and the Folio) is still more in Shakespeare's manner. Even the slight pause at "fool," as marked by the semicolon, is in his style of separate clauses in a sentence; while the effect of climax is given to "time" itself must have a stop" by thus making it a closing clause. Must have a stop. Oh, I could prophesy,** [Dies. For worms, brave Percy: fare thee well, great heart!— Ill-weav'd ambition, how much art thou shrunk! Is room enough:-this earth that bears thee dead, If thou wert sensible of courtesy, I should not make so dear a show of zeal :- [He sees FALSTAFF on the ground. [Exit. Fal. [Rising.] Einbowelled! if thou embowel me to-day, I'll give you leave to powder 51 me, and eat me too, to-morrow. 'Sblood! 'twas time to counterfeit, or that hot termagant Scot had paid me scot and lot too. Counterfeit? I lie, I am no counterfeit to die, is to be a counterfeit; for he is but the counterfeit of a man, who hath not the life of a man: but to counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the 44. I could prophesy. Shakespeare here, and in the fine speech referred to in Note 6, Act ii., "Richard II.," has poetic allusion to the beautiful and very ancient fancy that dying persons are gifted with a power of prevision and prediction. 45. Dear. Used here in the sense of 'kindly,' 'affectionate.' This is the reading of the first Quarto; while the other Quartos and Folio read 'great' instead of "dear." The several words and passages for which we are indebted to the first Quarto copy of this play, serve to increase our ardent desire that a first Quarto copy of all our poet's plays could be discovered. 46. Favours. The silken scarf worn over armour; so called because these adornments were often the gift of some favourite lady to her favoured knight. They were also sometimes a badge of distinction. 47. These fair rites of tenderness. The old chivalrous times afforded many instances of these acts of gentle observance between mutually adverse knights when one was overthrown; and Shakespeare has here commemorated a specially beautiful one, by causing his hero to screen a foe's mangled face in the moment of death, amid the turmoil and distortion of a battlefield. true and perfect image of life indeed. The better part of valour is discretion; in the which better part I have saved my life. 'Zounds! I am afraid of this gunpowder Percy, though he be dead; how, if he should counterfeit too, and rise? by my faith, I am afraid he would prove the better counterfeit. Therefore I'll make him sure; yea, and I'll swear I killed him. Why may not he rise as well as I? Nothing confutes me but eyes, and nobody sees me. Therefore, sirrah [stabbing him], with a new wound in your thigh, come you along with me. [Takes HOTSPUR on his back. Re-enter Prince HENRY and Prince JOHN. P. Hen. Come, brother John; full bravely hast thou flesh'd Thy maiden sword. 52 We will not trust our eyes without our ears:- Fal. No, that's certain; I am not a double man:53 but if I be not Jack Falstaff, then am I a Jack. There is Percy [throwing the body down]: if your father will do me any honour, so; if not, let him kill the next Percy himself. I look to be either earl or duke, I can assure you. P. Hen. Why, Percy I killed myself, and saw thee dead. Fal. Didst thou ?-Lord, Lord, how this world is given to lying!-I grant you I was down and out of breath; and so was he: but we rose both at an instant, and fought a long hour by Shrewsbury clock. If I may be believed, so; if not, let them 48. Ignomy. A not unfrequent contraction of 'ignominy' in Shakespeare's time. See Note 74, Act ii., "Measure for Measure." 49. But not remember'd, &c. Here 'be' is elliptically understood before "remembered." Where a verb occurs in the first clause of a sentence, Shakespeare sometimes permits another to be understood in the second clause; the effect of a verb being thus given. 50. Embowell'd. An old word for embalmed. 51. To powder. To salt. Powdered beef' is still locally used in some English provinces for corned beef' or 'salted beef.' 52. Flesh'd thy maiden sword. 'Initiated,' or 'commenced the use of thy hitherto unpractis'd sword.' See Note 6, Act v., King John." 53. I am not a double man. Falstaff jests on the word double" in its sense of 'deceitful,' 'delusive,' and on his seeming to be doubled by having Percy on his back. 54. By Shrewsbury clock. This is just one of Shakespeare's dramatic touches. By the mention of this church clock by its name, he not only gives the humorous effect of pretended exactness to Falstaff's account of his exploit, but he reminds the that should reward valour bear the sin upon their own heads. I'll take it upon my death,55 I gave him this wound in the thigh: if the man were alive, and would deny it, 'zounds, I would make him eat a piece of my sword. P. John. This is the strangest tale that e'er I heard. P. Hen. This is the strangest fellow, brother John.Come, bring your luggage nobly on your back: For my part, if a lie may do thee grace, I'll gild it with the happiest terms I have. [A retreat is sounded. The trumpet sounds retreat; the day is ours. Come, brother, let us to the highest of the field, To see what friends are living, who are dead. [Exeunt Prince HENRY and Prince JOHN. Fal. I'll follow, as they say, for reward. He that rewards me, Heaven reward him! If I do grow great, I'll grow less; for I'll purge, and leave sack, and live cleanly as a nobleman should do. [Exit, bearing off the body. And I embrace this fortune patiently, Since not to be avoided it falls on me. K. Hen. Bear Worcester to the death, and Vernon too: Other offenders we will pause upon.— [Exeunt WORCESTER and VERNON, guarded. How goes the field? P. Hen. The noble Scot, Lord Douglas, when he saw The fortune of the day quite turn'd from him, With all my heart. |