The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 páginas |
Dentro del libro
Resultados 1-5 de 44
Página xiv
... shows that in gag cartoons , both words and images are necessary for the completion of meaning . Cioffi explores the ways words and pictures work against each other in particular sequences or frames , thereby generating meanings that ...
... shows that in gag cartoons , both words and images are necessary for the completion of meaning . Cioffi explores the ways words and pictures work against each other in particular sequences or frames , thereby generating meanings that ...
Página xv
... show how comics challenge the conventions of linear reading order . Comics is visually holistic , they say , and can represent multiple points of view with- in a single frame . Kannenberg and Perret also discuss examples of verbal and ...
... show how comics challenge the conventions of linear reading order . Comics is visually holistic , they say , and can represent multiple points of view with- in a single frame . Kannenberg and Perret also discuss examples of verbal and ...
Página xvi
... show that in the case of Wile E. Coyote and the Road Runner , images are more persuasive than words . Despite the ... shows that sequence , if present , may not be linear . It seems nearly impossible to include both wordless comics ...
... show that in the case of Wile E. Coyote and the Road Runner , images are more persuasive than words . Despite the ... shows that sequence , if present , may not be linear . It seems nearly impossible to include both wordless comics ...
Página xvii
... show the dark side of the human condition . Cioffi looks at the comics of Andrzej Mleczko , Ben Katchor , R. Crumb , and Art Spiegelman and shows how , like many modern authors in the purely literary medium , they disturb a reader's ...
... show the dark side of the human condition . Cioffi looks at the comics of Andrzej Mleczko , Ben Katchor , R. Crumb , and Art Spiegelman and shows how , like many modern authors in the purely literary medium , they disturb a reader's ...
Página xviii
... show how the balloons operate as a graphic code . The balloons , she argues , tell the reader how to hear the message . They serve as visual symbols for sound . Comics don't literally have a soundtrack at all , but since written words ...
... show how the balloons operate as a graphic code . The balloons , she argues , tell the reader how to hear the message . They serve as visual symbols for sound . Comics don't literally have a soundtrack at all , but since written words ...
Contenido
3 | |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
Works Cited | 205 |
Contributors | 213 |
Index | 215 |
Otras ediciones - Ver todas
The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Vista previa limitada - 2001 |
Términos y frases comunes
Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker