The Exhibition Speaker: Containing Farces, Dialogues, and Tableaux : with Exercises for Declamation in Prose and Verse, Also a Treatise on Oratory and Elocution, Hints on Dramatic Characters, Costumes, Position on the Stage, Making Up, Etc., Etc. : with IllustrationsSheldon, Blakeman & Company, 1856 - 268 páginas |
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Página 8
... Tell's Address to the Mountains , 39 CHAPTER VI . DESCRIPTION OF STAGE , Exit and Entrances , Relative Positions , 43 • 43 43 Hints as to Position and Action upon the Stage , " Making up " for Characters , etc. , 43 PART I. DRAMATIC- A ...
... Tell's Address to the Mountains , 39 CHAPTER VI . DESCRIPTION OF STAGE , Exit and Entrances , Relative Positions , 43 • 43 43 Hints as to Position and Action upon the Stage , " Making up " for Characters , etc. , 43 PART I. DRAMATIC- A ...
Página 39
... Tell's Address to the Mountains . ( 1 ) Ye crags and peaks ! I'm with you once a again ! ( 2 ) I hold to you the ... TELL'S ADDRESS . 1. Raise both arms , extending them in front ; as the sen- tence progresses , drop , and fold ...
... Tell's Address to the Mountains . ( 1 ) Ye crags and peaks ! I'm with you once a again ! ( 2 ) I hold to you the ... TELL'S ADDRESS . 1. Raise both arms , extending them in front ; as the sen- tence progresses , drop , and fold ...
Página 44
... Tell's Address to the Mountains , " will find a description of the gestures in most common use . ) There are a few articles necessary for the toilet of one who is dressing and " making up " for a character , of which the following is a ...
... Tell's Address to the Mountains , " will find a description of the gestures in most common use . ) There are a few articles necessary for the toilet of one who is dressing and " making up " for a character , of which the following is a ...
Página 45
... . The sentence to be so learned is called the cue , or hint to what follows it . To make our meaning perfectly plain , we will illustrate it by an example . In the play of William Tell , in reply to DESCRIPTION OF STAGE . 45.
... . The sentence to be so learned is called the cue , or hint to what follows it . To make our meaning perfectly plain , we will illustrate it by an example . In the play of William Tell , in reply to DESCRIPTION OF STAGE . 45.
Página 46
... Tell , in reply to a speech of Tell's , Gesler answers : Gesler . Darest thou question me ? Tell . Darest thou answer ? Ges . Beware my vengeance ! Tell . Can it more than kill ? Ges . And is not that enough ? Tell . No , that is not enough ...
... Tell , in reply to a speech of Tell's , Gesler answers : Gesler . Darest thou question me ? Tell . Darest thou answer ? Ges . Beware my vengeance ! Tell . Can it more than kill ? Ges . And is not that enough ? Tell . No , that is not enough ...
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The Exhibition Speaker Containing Farce Dialogue and Tableaux with Exercises ... Vista completa - 1856 |
Términos y frases comunes
Arithmetic articulation bathing machines beauty blessed body Bouncer Brandt CALISTHENICS Carl Carlitz cents Chris Christine close commencing position Coun Curtain Dalton Dame DAVID PATTERSON dear dinner Doric dumb-bells Ellen Enter Exit eyes father Feedwell feel feet fingers foot forward friends Frock coat George GEORGE CROLY gesture give Good-morning Graves Greece ground gymnastic HAMLET hands happy head erect heart Heaven heels Hob and Nob honor Huon John keep knee leap legs letter Liberty look Margate Marinella Measureton motions movement never Normal Readers pauses pole poor practice pupil raised Rens Renslaus Richmond hill scene serf shoulders side sizar Soldier speak speaker Sponge sweet TABLEAU TABLEAUX VIVANTS teacher tell thee There's thing thou tion toes turned voice waiter Wideacre word marked young youth Zounds
Pasajes populares
Página 136 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Página 136 - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
Página 216 - Persians' grave, I could not deem myself a slave. A king sate on the rocky brow Which looks o'er sea-born Salamis ; And ships, by thousands, lay below, And men in nations ; — all were his ! He counted them at break of day — And when the sun set where were they ? And where are they?
Página 135 - Nor do not saw the air too much with your hand, thus ; but use all gently ; for in the very torrent, tempest, and, as I may say, whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Página 133 - May sweep to my revenge. Ghost. I find thee apt ; And duller shouldst thou be than the fat weed That roots itself in ease on Lethe wharf, Wouldst thou not stir in this.
Página 166 - t. It breaks my chain. I held some slack allegiance till this hour; But now my sword's my own. Smile on, my lords ! I scorn to count what feelings, withered hopes. Strong provocations, bitter, burning wrongs, I have within my heart's hot cells shut up, To leave you in your lazy dignities.
Página 217 - You have the Pyrrhic dance as yet, Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one?
Página 216 - Islands of the Blest'. The mountains look on Marathon, And Marathon looks on the sea. And musing there an hour alone, I dreamed that Greece might still be free, For standing on the Persians' grave, I could not deem myself a slave.
Página 217 - Must we but blush? Our fathers bled. Earth ! render back from out thy breast A remnant of our Spartan dead ! Of the three hundred grant but three, To make a new Thermopylae ! What, silent still?
Página 191 - It is to that Union we owe our safety at home and our consideration and dignity abroad. It is to that Union that we are chiefly indebted for whatever makes us most proud of our country. That Union we reached only by the discipline of our virtues in the severe school of adversity. It had its origin in the necessities of disordered finance, prostrate commerce, and ruined credit.