Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen70Gale Research Company, 1984 |
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Página 26
... marriage of the latter one which could be seen as nationally embodying " the creation of bonds with outsiders " ( 126-27 ) . The colonialist projects that are busily institutionalized from the beginning of the seventeenth century , in ...
... marriage of the latter one which could be seen as nationally embodying " the creation of bonds with outsiders " ( 126-27 ) . The colonialist projects that are busily institutionalized from the beginning of the seventeenth century , in ...
Página 141
... marriage . " A logical response to the question " Who giveth this woman to be married to this man ? " is for the bride's father to say " I do , " but the response the ritual calls for him to make is nonverbal ; he is to relinquish his ...
... marriage . " A logical response to the question " Who giveth this woman to be married to this man ? " is for the bride's father to say " I do , " but the response the ritual calls for him to make is nonverbal ; he is to relinquish his ...
Página 145
... marriage . If Egeus's silence and ( in the Quarto ) his absence from the wedding signifies his permanent withdrawal from Athens , A Midsummer Night's Dream is a play in which marriage and the movement toward it occasion an ...
... marriage . If Egeus's silence and ( in the Quarto ) his absence from the wedding signifies his permanent withdrawal from Athens , A Midsummer Night's Dream is a play in which marriage and the movement toward it occasion an ...
Contenido
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's