Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen70Gale Research Company, 1984 |
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Página 49
... performance traditions , there was no standard - wielding , Aïda - style marching or fanning in this production . The milieu at first suggested an Alexan- drian nightclub in the middle of the twentieth century , with cocktail glasses ...
... performance traditions , there was no standard - wielding , Aïda - style marching or fanning in this production . The milieu at first suggested an Alexan- drian nightclub in the middle of the twentieth century , with cocktail glasses ...
Página 269
... performance and his presumed involvement in the conspiracy , what evidence do we have as to how the Privy Council viewed the subversive performance itself ? For example , how did the Privy Council dispose of those who , according to ...
... performance and his presumed involvement in the conspiracy , what evidence do we have as to how the Privy Council viewed the subversive performance itself ? For example , how did the Privy Council dispose of those who , according to ...
Página 273
... performance . In the fall of 1599 , after Essex had returned without permission from Ireland and was awaiting trial in London , we hear of the two earls closest to Essex whiling away this time of inactivity in similar pursuits . " My ...
... performance . In the fall of 1599 , after Essex had returned without permission from Ireland and was awaiting trial in London , we hear of the two earls closest to Essex whiling away this time of inactivity in similar pursuits . " My ...
Contenido
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's