Havergal Brian and His MusicDobson, 1976 - 223 páginas |
Contenido
Origins I | 1 |
Childhood | 3 |
Youth | 7 |
Beginnings in Composition II | 11 |
The Provincial Scene | 15 |
Elgar | 20 |
Encouragement | 28 |
Early Vocal Works | 30 |
Erdington | 98 |
Birth of a Symphony | 103 |
Opening of The Gothic Symphony here called No 2 later to | 108 |
Character of a Symphony | 109 |
Adventures of the Gothic Symphony | 117 |
The Turn of the Tide | 127 |
Part of Brians manuscript of the vocal score of Symphony No 5 | 130 |
Impact of the Gothic Symphony | 140 |
Larger Works | 34 |
The Bubble Reputation | 39 |
Contemporaries | 46 |
Fantastic Symphony | 54 |
The World of Arnold Bennett | 57 |
The Vision of Cleopatra | 62 |
Mr X | 66 |
Havergal Brian from a drawing by F Furnivall 1938 Frontispiece | 81 |
The Hub of Society | 85 |
Postcard to Brian from Arnold Bennett | 89 |
Reaction to War | 92 |
End of Act I of The Tigers | 96 |
Letter from Brian to the author referring to the Albert Hall | 145 |
The Concertos | 148 |
Opening of the published score of Symphony No 10 a facsimile | 155 |
The Nature of Brians Symphonies | 163 |
Prometheus Unbound | 175 |
Sir Henry Woods last letter to Havergal Brian 1944 | 183 |
ShorehambySea | 186 |
Ave atque valethe ending of Brians manuscript | 203 |
Catalogue of Brians Compositions by Lewis Foreman | 205 |
Recordings | 214 |
Longton | 219 |
Derechos de autor | |