Economists' Lives: Biography and Autobiography in the History of EconomicsE. Roy Weintraub, Evelyn L. Forget Duke University Press, 2007 - 402 páginas This collection of essays, a supplement to History of Political Economy, brings together prominent scholars from economics, sociology, literature, and history to examine the role of biography and autobiography in the history of economics. The first of its kind, this volume looks at the relevance of first-person accounts to narrative histories of economics. The essays consider both the potential and the limits of life writing, which has traditionally been used sparingly by historians of economics, and examine types of biographies, the relationship between autobiography and identity, and the writing of biography. Contributors to this collection question whether biography is essential to understanding the history of economic ideas and consider how autobiographical materials should be read and interpreted by historians. Articles consider the treatment of autobiographical materials such as conversations and testimonies, the construction of heroes and villains, the relationship between scientific biography and literary biography, and concerns related to living subjects. Several essays address the role of biography and autobiography in the study of economists such as F. A. Hayek, Harry Johnson, Alfred Marshall, John Maynard Keynes, Oskar Morgenstern, and François Quesnay, concluding with several accounts of the interconnection of the historians' projects with their own autobiographies. All 2007 subscribers to History of Political Economy will receive a copy of "Economists' Lives: Biography and Autobiography in the History of Economics" as part of their subscription. Contributors |
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... Keynes first renewed his relationship with Lydia , he would write to her about becoming a ballet " producer " in order to sur- vive economically and to find opportunities to perform . His sympathy with the plight of artists like Lydia ...
... Keynes would urge that the arts be transported out of London to the provinces , " to provide hundreds of factory concerts , to carry the drama to mining villages and war hostels where many of the audience see the living stage for the ...
... Keynes's stance toward the arts , developed in the intimate spaces of Bloomsbury . He worked to preserve a civilized cultural haven in the midst of moral , cultural , and ... Keynes : An Economist's John Maynard Keynes and the Arts 311.
Contenido
Introduction | 1 |
Is Autobiography Antiacademic and Uneconomical? | 30 |
The Production and Use | 51 |
Derechos de autor | |
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