Speaking and SpeechesDaye, 1947 - 279 páginas |
Dentro del libro
Resultados 1-3 de 10
Página 99
... acoustic pattern is all we get . If we listen to a speech in our own tongue , the sensory presentation is welded together with the intellectual meaning of the 99 SPEAK EXPRESSIVELY Rhythm - The Pause - Tempo Acoustic Pattern.
... acoustic pattern is all we get . If we listen to a speech in our own tongue , the sensory presentation is welded together with the intellectual meaning of the 99 SPEAK EXPRESSIVELY Rhythm - The Pause - Tempo Acoustic Pattern.
Página 101
... acoustic pattern , can never be a complete failure , even if the message is not very important or the audience does not fully agree with the speaker's opinions . But the most interesting and consequential ideas cannot save a speech if ...
... acoustic pattern , can never be a complete failure , even if the message is not very important or the audience does not fully agree with the speaker's opinions . But the most interesting and consequential ideas cannot save a speech if ...
Página 115
... acoustic pattern of his speech and to hear the exact sound of the words before he utters them . The eye type will direct his attention upon the printed letters and the pattern of the page . He may memorize as quickly as the auditory ...
... acoustic pattern of his speech and to hear the exact sound of the words before he utters them . The eye type will direct his attention upon the printed letters and the pattern of the page . He may memorize as quickly as the auditory ...
Contenido
Introduction | 11 |
The Task | 17 |
Speak Distinctly | 27 |
Derechos de autor | |
Otras 9 secciones no mostradas
Términos y frases comunes
able accent acoustic pattern actor anapaestic antepenult Ariovistus artistic attention audience auditorium basic become breath Brutus Caesar called certainly course Craig Baird depends effect emotional colors Erlking example exercise expression extemporaneous feelings friend yesterday give hear honorable human voice ideas imagination important impression interest intonation introduction kind language lecture lines listeners live logical logical stress manuscript Mark Antony means melody memory middle pitch mind Minor premise mood nature Nervii never oral orator oratorical outline pause penult platform pleonasm poem possible practice pronunciation proof public speaking radio reason reciting rhythm sentence sound speaker speech spoken story student syllable syllogism talk teacher tell tempo thing thought timbre tion tone colors topic trochaic unstressed usually verse vocal cords voice volume whisper Winston Churchill word group write wrote our friend