Speaking and SpeechesDaye, 1947 - 279 páginas |
Dentro del libro
Resultados 1-3 de 44
Página 41
... voice- in speech and in song .... There are few assets so powerful or so valuable as the well - modulated , cultivated voice . . . . How I would like to have heard the voice of the Great Teacher , as He spoke to the multitude and gave ...
... voice- in speech and in song .... There are few assets so powerful or so valuable as the well - modulated , cultivated voice . . . . How I would like to have heard the voice of the Great Teacher , as He spoke to the multitude and gave ...
Página 45
... voice quavers in tremolo while you are knocking , it is all right . If you speak without resonance , your voice remains unaffected by the most vehement knocking . Though you speak very softly , you must have the sensation that ( 1 ) the ...
... voice quavers in tremolo while you are knocking , it is all right . If you speak without resonance , your voice remains unaffected by the most vehement knocking . Though you speak very softly , you must have the sensation that ( 1 ) the ...
Página 46
... voice may be unpleasant , weak , monotonous , thus detracting from the general effect of the speech , but we will hardly say that he speaks " off key . " To sum up , the singer's voice is architectural , constructive ; the speaker's ...
... voice may be unpleasant , weak , monotonous , thus detracting from the general effect of the speech , but we will hardly say that he speaks " off key . " To sum up , the singer's voice is architectural , constructive ; the speaker's ...
Contenido
Introduction | 11 |
The Task | 17 |
Speak Distinctly | 27 |
Derechos de autor | |
Otras 9 secciones no mostradas
Términos y frases comunes
able accent acoustic pattern actor anapaestic antepenult Ariovistus artistic attention audience auditorium basic become breath Brutus Caesar called certainly course Craig Baird depends effect emotional colors Erlking example exercise expression extemporaneous feelings friend yesterday give hear honorable human voice ideas imagination important impression interest intonation introduction kind language lecture lines listeners live logical logical stress manuscript Mark Antony means melody memory middle pitch mind Minor premise mood nature Nervii never oral orator oratorical outline pause penult platform pleonasm poem possible practice pronunciation proof public speaking radio reason reciting rhythm sentence sound speaker speech spoken story student syllable syllogism talk teacher tell tempo thing thought timbre tion tone colors topic trochaic unstressed usually verse vocal cords voice volume whisper Winston Churchill word group write wrote our friend