Nicole Kidman

Bloomsbury, 2006 - 311 páginas
Could one see a magazine deciding that Julia Roberts or Jennifer Lopez or Angelina Jolie were 'intriguing'? There is something mysterious and not quite settled with Nicole Kidman. That's why David Thomson, one of the world's greatest writers on film, knew he wanted to write about her, because while there may (just) be more attractive women on the screen, and even more consistent actresses, there isn't any modern career that has so transformed itself. It's as if Nicole Kidman suddenly decided no, I'm not just Mrs Tom, I'm not just a nice red-headed Sheila, I'm an actress, a businesswoman, I'm something - and I'm going to show you all.

How else does one reconcile the Kidman of the early and middle 1990s, the woman who was so often pretty but not much else in Days of Thunder, Billy Bathgate, Far and Away, Malice, Batman Forever, The Portrait of a Lady and even Eyes Wide Shut, with the steady progression of Moulin Rouge, The Others and Birthday Girl, and then The Hours, Cold Mountain and others? Not all her recent films are good and she's not a triumph in all of them - but she is a dangerous actress, a risk-taker, someone pushing at her own talent.

This is a biography of an Australian girl who has become world famous. It's also the record of an actress as she grew. The book is a vivid portrait, a searching treatment of acting and of a business career, but also a tribute to someone who has it in her to move millions of strangers.

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LibraryThing Review

Crítica de los usuarios  - LilyHeart - LibraryThing

This was a truly awful biography. Mind-numbingly boring. Can't really say any more about it. Leer comentario completo

Nicole Kidman

Crítica de los usuarios  - Not Available - Book Verdict

Film historian Thomson (The New Biographical Dictionary of Film ) offers a somewhat digressive assessment of Nicole Kidman�s film career, as well as an examination of her personal life and ... Leer comentario completo

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Acerca del autor (2006)

David Thomson taught film studies at Dartmouth College and served on the selection committee for the New York Film Festival. He is a regular contributor to the Independent, The New York Times, Film Comment, Movieline, The New Republic and Salon, and was the screenwriter on the award-winning documentary The Making of a Legend- Gone With the Wind. His other books include The New Biographical Dictionary of Film, The Whole Equation- A History of Hollywood, Showman- The Life of David O. Selznick, Beneath Mulholland- Thoughts on Hollywood and Its Ghosts, and three works of fiction. Born in London, he lives in San Francisco with his wife and their two sons.

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