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mind a thing very obvious in all this line of publications, that it is expressly to meet and foster a kind of taste almost unknown in this country, and that the publisher is evidently carrying out with consistency and energy a peculiar policy of his own, whose success must at last be the test of its own merit.

The general American reader will find this a thoroughly curious book; the lover of cheap learning, a perfect treasure-house of rather uncommon commonplaces; and the Spanish scholar, "a genuine, if rugged, piece of ore from that rich mine of early Spanish literature which yet lies hidden and unwrought."

PETER CLAVER: A SKETCH OF HIS LIFE AND LABORS IN BEHALF OF THE AFRICAN SLave. Boston Lee & Shepard. 1868. For sale at the Catholic Publication House, 126 Nassau street, New York.

This little book is a brief compendium of the life of a great saint, who was the apostle of the negro slaves in SouthAmerica. Its publication is very timely, as it shows to the philanthropists of New-England and of the country at large, who interest themselves so much in behalf of the African race, what Catholic charity has done and can do in their behalf. We recommend it to their attention. The Catholic religion, and it alone, can really and completely meet the wants of this much-to-be-compassionated portion of mankind. The strik ing vignette of this little volume, representing St. Peter Claver supporting the head of a dying negro, who holds a crucifix clasped to his dusky bosom, is an expressive emblem of this truth. It would be an excellent thing if our philanthropists, in Congress and out of Congress, would get a copy of this very suggestive photograph framed and hung up in some place where they are accustomed to say their prayers.

THE BOOK OF Moses; OR, THE PENTATEUCH IN ITS AUTHORSHIP, CreDIBILITY, AND CIVILIZATION. By

the Rev. W. Smith, Ph.D. Volume I. London: Longman, Green & Co. 1868. For sale at the Catholic Publication House, New York.

Dr. Smith has given us in this volume the first instalment of an extensive work on the Pentateuch. The authorship alone is treated of in this portion of the work. Dr. Smith happily combines orthodoxy of doctrine with a scientific spirit. He has evidently studied Ægyptology, geology, comparative philology, and other sciences bearing on sacred science. He has also made himself familiar with Jewish and Protestant, as well as Catholic commentators. From a cursory examination, we are inclined to judge that his great and useful task has been thus far very well and thoroughly performed, and to expect that it will be completed in a satisfactory man

ner.

The volume is brought out in the best style of English typographical art, with fac-similes of ancient pictures and inscriptions, which add much to its value. We recommend it to all students of the Holy Scriptures as one of the most valuable aids to their researches which has yet been published in the English language.

LIFE OF ST. CATHARINE OF SIENNA. By Doctor Caterinus Senensis. Translated by the Rev. John Fen, in 1609, and Reëdited, with a Preface, by Very Rev. Father Aylward. New York: Catholic Publication Society. 1868.

This biography is a charming one, translated in the inimitable English idiom of the 17th century. Father Aylward has very successfully imitated the antiquated style in his valuable preface. The biography leaves nothing to be desired as a history of the private, interior life of the saint, though her wonderful public career is but slightly touched upon. The sketch of it in Father Aylward's preface induces us to wish that he would add to the history of Saint Catharine's private life by Caterinus, an equally complete history of her public life, with translations of her letters, from his own graceful and devout pen, which

would furnish the English public with one of the best and most valuable biographies of a truly great and heroic woman to be found in any language.

PRAYER THE KEY OF SALVATION. By Michael Müller, C.S.S.R. Baltimore: Kelly & Piet. 1868.

This book is an expansion of the excellent work of St. Alphonsus Liguori on Prayer. The object of it seems to be, to explain the saint's doctrine and illustrate it by examples, so as to bring it more within the comprehension of the mass of the people. But we are sorry to be obliged to say that the execution of the work does not come up to the idea. Without commenting on the matter, which is, in general, very good, we are compelled to say that the style is faulty in the extreme; the sentences are mostly un-English in their construction, and sometimes so long and involved that they are hard to understand. It also abounds in grammatical errors. In short, it is a pity it was not first thoroughly overlooked and revised by a competent hand before being allowed to go to press. However much we may desire to commend this book, we cannot in conscience do so, so long as it continues in its present dress.

LA REFORME EN ITALIE, LES PRECURSEURS: Discours Historiques de César Cantu. Traduits de l'Italien par Aniset Digard et Edmond Martin. Paris: Adrien le Clere, 29 Rue Cassette. 1867.

He

Cæsar Cantu is the author of the best universal history extant, and of other historical works of the first class. has undertaken the task of crushing the destructive pseudo-reformers of Italy under the weight of his massive historical erudition. The first volume of the present work, which is the only one yet published, brings down the subject to the 16th century, and will be followed by three others. The author is a sound and orthodox Catholic, yet, as a layman and as a historian, his work has not the

distinctively professional style and spirit which are usually found in the works of ecclesiastical authors. He is fearless and free in speaking the historical truth, even when it is discreditable to ecclesiastical rulers and requires the exposure of scandals and abuses in the church. His spirit is calm and impartial, and the theological and ascetical elements are carefully eliminated. He has gone back to the very origin of Christianity, in order to trace the course of events from their beginning, and has traced the outlines of the constitution of historical Christianity. Church principles and dogmas are, however, exhibited in a purely historical method, and as essential portions of the history of facts and events. Such a writer is terrible to parties whose opinions and schemes cannot bear the light of history. The whole class of pseudo-reformers, whether semiChristian or openly infidel, are of this sort. Cantu sweeps them off the track of history by the force and weight of his erudition, as a locomotive tosses the stray cows on the track of a railway, with broken legs, to linger and die in the meadows at each side of it. It is only Catholic truth, either in the supernatural or the natural order, which can bear investigation, or survive the crucial test of history. The so-called Reformation retains its hold on the respect of the world only through ignorance. When history is better and more generally known, it will be universally admitted that it was not only a great crime, but a great blunder, a faux pas in human

progress.

THE INFANT BRIDAL, and other Poems. By Aubrey De Vere. London: MacMillan & Co.

We are glad to see this book, rather for the memories than the novelties it brings us. Almost all its contents have been published in the author's other volumes, and there is nothing in this to alter the opinions, either good or ill, that we took occasion to express in a former review of them at large. The most remarkable about the book is the selection of the republished pieces. It

only verifies anew the observation that authors, no more than we of the world, have the giftie to see themselves as others see them. Some of the best poems are there, and some of the worst. The Infant Bridal and The Search for Proserpine are perhaps the very two poorest of all the author's longer productions. Still, perhaps the many faults we fancy we see in the tact of the compilation, only come to this-that we ourselves would have compiled differently, and possibly worse.

But we meet, all over these elegant tinted pages, lines and beauties that we fondly remember loving of old-fine blank verse, wonderful descriptions, delicious idyls. These latter, by the way, are equally remarkable and unremarked. They are from the same fount with Theocritus, Bion, and Moschus. We cannot resist giving one extract, from Glance, p. 64:

"Come forth, dear maid, the day is calm and cool,
And bright though sunless. Like a long green scarf,
The tall pines, crowning yon gray promontory,
In distant ether hang, and cut the sea.
But lovers better love the dell, for there
Each is the other's world. How indolently
The tops of those pale poplars, bending, sway
Over the violet-braided river brim!

Whence comes this motion? for no wind is heard,
And the long grasses move not, nor the reeds.
Here we will sit, and watch the rushes lean
Like locks, along the leaden-colored stream
Far off; and thou, O child, shall talk to me
Of Naiads and their loves."

One more sample of the contents of this volume, and we have said all there is to say. It is an unusual vein for De Vere, but one in which, like Tennyson, he engages never lightly and always with telling success. It is the close of A Farewell to Naples, p. 255:

"From her whom genius never yet inspired,
Or virtue raised, or pulse heroic fired;
From her who, in the grand historic page,
Maintains one barren blank from age to age;
From her, with insect life and insect buzz,
Who, evermore unresting, nothing does;
From her who, with the future and the past,
No commerce holds-no structure rears to last.
From streets where spies and jesters, side by side,
Range the rank markets and their gains divide;
Where faith in art, and art in sense is lost,
And toys and gewgaws form a nation's boast;
Where passion, from affection's bond cut loose,
Revels in orgies of its own abuse;

And appetite, from passion's portals thrust,
Creeps on its belly to its grave in dust;
Where vice her mask disdains, where fraud is loud,
And naught but wisdom dumb, and justice cowed;

Lastly, from her who planted here unawed,
'Mid heaven-topped hills and waters bright and broad,
From these but nerves more swift to err has gained
And the dread stamp of sanctities profaned;
And, girt not less with ruin, lives to show
That worse than wasted weal is wasted woe-
We part; forth issuing through her closing gate,
With unreverting faces, not ingrate."

Cannot this book speak better for itself than our good word?

FOLKS AND FAIRIES. Stories for little children. By Lucy Randall Comfort. With engravings. New York: Harper & Brothers. 1868.

Judging, not, however, from perusal, but from hearsay, we think the pleasure of Mrs. Comfort's juvenile readers would be increased if she had given them more "Folks" and less "Fairies." On the same high authority we also protest against some of the engravings, for example, "Otho returning home," as illustrations of the text.

BOOKS RECEIVED.

From LEYPOLDT & HOLT, New York: Mozart A Biographical Romance. From the German of Heribert Rau. By E. R. Sill. 1 vol. 12mo, pp. 323-Easy French Reading: Being selections of historical tales and anecdotes, arranged with copious foot-notes, containing translations of the principal words, a progressive development of the form of the verb, designations of the use of prepositions and particles, and the idioms of the language. By Professor Edward T. Fisher. To which is appended a brief French grammar. By C. J. Delille. 1 vol. 12m0, pp. 232.

From KELLY & PIET, Baltimore: A Catechism of the Vows. For the use of persons consecrated to God in the religious state. By the Rev. Father Peter Cotel, S.J.

From SAMUEL R. WELLS, New York: Oratory, Sacred and Secular: or, The Extemporaneous Speaker. With sketches of the most eminent speakers of all ages. By William Pittenger, author of Daring and Suffering. Introduction by Hon. John A. Bingham, and appendix containing a Chairman's Guide for conducting public meetings according to the best parliamentary models. 1 vol. 12mo, pp. 220. -Life in the West; or, Stories of the Mississippi Valley. By N. C. Meeker, Agricultural Editor of the New York Tribune. I vol. 12mo, pp. 360.

From LEE & SHEPARD, Boston: Red Cross; or, Young America in England and Wales. A story of Travel and Adventure. By Oliver Optic. 1 vol. 12mo, pp. 336.

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TENNYSON IN HIS CATHOLIC ASPECTS.

He looks for the resurrection of the body, and bids the dry dust of his friend (Spedding) "lie still, secure of change." (Lines to F. S.) When the spirit quits its earthly frame, he follows it straight into the unseen world and the presence of its Creator and God. He points to "the grand old gardener and his wife" in "yon blue heavens," smiling at the claims of long descent, (Lady Clara Vere de Vere;) and he speeds the soul of the expiring May Queen toward the blessed home of just souls and true, there to wait a little while for her mother and Effie:

For a poet eminently modern and English in his modes of thought, Tennyson is singularly free from the spirit of controversy. His native land is distracted by religious feuds, yet he who has been called "the recognized exponent of all the deeper thinkings of his age," takes no active part in them, and seldom drops a line that bespeaks the school of theology to which he belongs. At long intervals, indeed, devout breathings escape him. Once now and then he extracts a block of dogma from the deep quarry within, and fixes it in an abiding place. He never scatters doubts wantonly; he is always on the side of faith, though not perfect and Catholic faith. He alludes to Christian doctrines as postulates. For his purpose they need no proof. It would be idle to prove anything if they were not true. They are the life of the soul, and the vitality of

"To lie within the light of God, as I lie upon your
breast-

Where the wicked cease from troubling, and the weary
are at rest."
The May Queen.

Intensely as he loves nature, Tennyson is no Pantheist. Though like the wild Indian, he "sees God in clouds and hears him in the wind," he does not therefore confound matter with its Maker, nor lose sight of the personality of the Being whom he he cries; but he adds this apostrophe adores. He is no disciple of fate or

verse.

"Fly, happy, happy sails, and bear the press,"

likewise:

"Fly happy with the mission of the cross." The Golden Year.

chance, but recognizes in all human affairs the working of a divine and retributive providence, whose final

VOL. VII.-10

judgment of good and evil is foreshadowed and begun during our mortal life. To His presence and promptitude in reply to prayer, he refers more than once in pathetic and pointed language. He tells us how Enoch Arden, when cast away on a desert island, heard in his dream "the pealing of his parish bells," and

"Though he knew not wherefore, started up
Shuddering, and when the beauteous, hateful isle
Returned upon him, had not his poor heart
Spoken with that, which, being everywhere,
Lets none who speak with Him seem all alone,
Surely the man had died of solitude.

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Enoch Arden.

It would not be difficult for those who are acquainted with Tennyson's earlier history, to discover the church of which he is a member, and the section of it whose views he adopts. In Memoriam takes us into the interior of his father's parsonage, to the Christmas hearth decorated with laurel, and the old pastimes in the hall; to the witch-elms and towering sycamore, whose shadows his Arthur had often found so fair; to the lawn where they read the Tuscan poets together; and the banquet in the neighboring summer woods. We almost hear the songs that then pealed from knoll to knoll, while the happy tenants of the presbytery lingered on the dry grass till bats went round in fragrant skies, and the white kine glimmered, couching at ease, and the trees laid their dark arms about the field. "The merry, merry bells of Yule," with their silver chime, are referred to more than once in Tennyson's poems. They seem to be ever ringing in his ears. They controlled him, he says, in his boyhood, and they bring him sorrow touched with joy.

It is in singing of Arthur Hallam that the poet's faith in the immortality of the soul is brought out with beautiful clearness. The bitterness of his grief draws him to the "com

fort clasped in truth revealed," and he looks forward with hope to the day when he shall arrive at last at the blessed goal, and He who died in Holy Land shall reach out the shining hand to him and his lost friend, and take them "as a single soul." (In Memoriam, lxxxiii.)

From the verses addressed to the Rev. F. D. Maurice, (January, 1854.) we learn that one of Tennyson's children claims that gentleman as his godfather, and we gather from it and other poems, what all the Laureate's friends know, that his sympathies are with the Broad Church, of which Mr. Maurice, Kingsley, Temple, the Bishop of London, and Dr. Stanley are distinguished leaders. It is one of the peculiarities of this school to moderate the torments of the lost and to deny that they are eternal, to hope that good will in some way be the final goal of ill, and that every winter will at last change to spring. It cannot be disputed that this teaching is at variance with Catholic doctrine; but it is one which Tennyson puts forward. with singular modesty, describing himself as

"An infant crving in the night; An infant crying for the light; And with no language but a cry."

In Memoriam, liii.

The Broad Church, as its name implies, professes large and liberal views. Not wishing to be tried by too strict a standard itself, it repudiates all harsh judgments on others. Accordingly, we find in Tennyson few allusions to errors, real or supposed, in the creed of others. He regards as sacred whatever links the soul to a divine truth. He has many friends who are Catholics, and we have heard that he has expressed sincere anxiety to publish nothing relative to the Catholic religion calculated to give offence to its follow

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