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THE SWEET WATERS OF EUROPE, AT THE END OF THE GOLDEN HORN, CONSTANTINOPLE

The water-side architecture is unmistakably poetic and Oriental. Gilded grilles and brill-
iantly-colored eaves add splendor to an otherwise simple architecture, and even the water run:
ning over scalloped winding stairs pleasantly sustains the prevailing suggestion of Oriental
luxury and idleness.

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