DegenerationD. Appleton, 1895 - 566 páginas |
Dentro del libro
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Página 6
... objects in a mysterious dimness , in which all certainty is destroyed and any guess seems plausible . Forms lose their outlines , and are dissolved in floating mist . The day is over , the night draws on . The old anxiously watch its ...
... objects in a mysterious dimness , in which all certainty is destroyed and any guess seems plausible . Forms lose their outlines , and are dissolved in floating mist . The day is over , the night draws on . The old anxiously watch its ...
Página 11
... objects , is intended to be bewildering . There must be no sen- timent of repose , such as is felt at any composition , the plan of which is easily taken in , nor of the comfort attending a prompt comprehension of all the details of ...
... objects , is intended to be bewildering . There must be no sen- timent of repose , such as is felt at any composition , the plan of which is easily taken in , nor of the comfort attending a prompt comprehension of all the details of ...
Página 20
... object . ' And he further§ calls to notice their unconscious fear of everything and everyone . ' In this picture of the sufferer from melancholia ; downcast , sombre , despairing of himself and the world , tortured by fear of the ...
... object . ' And he further§ calls to notice their unconscious fear of everything and everyone . ' In this picture of the sufferer from melancholia ; downcast , sombre , despairing of himself and the world , tortured by fear of the ...
Página 23
... object as in the satisfaction of the basest pro- pensities . ' Lombroso † has cited a large number of undoubted geniuses who were equally undoubted mattoids , graphomaniacs , or pronounced lunatics ; and the utterance of a French savant ...
... object as in the satisfaction of the basest pro- pensities . ' Lombroso † has cited a large number of undoubted geniuses who were equally undoubted mattoids , graphomaniacs , or pronounced lunatics ; and the utterance of a French savant ...
Página 47
... object thrown into water , and subsides gradually exactly as does the wave - more quickly or more slowly , with greater or less diffusion , as the stimulus that caused it has been stronger or weaker . Every stimulus which reaches a ...
... object thrown into water , and subsides gradually exactly as does the wave - more quickly or more slowly , with greater or less diffusion , as the stimulus that caused it has been stronger or weaker . Every stimulus which reaches a ...
Términos y frases comunes
activity æsthetic Alving appear arouse artistic association of ideas attention awaken Baudelaire beautiful become Bernick brain called Catulle Mendès cell centres character colour consciousness degenerate disease Doll's House echolalia ego-maniac Ellida emotion evil excited existence expression external world eyes fact French German give GREGERS healthy Hedda Hedda Gabler Hence HJALMAR human hysteria hysterical Ibsen idiots imbecile imitation impressions impulses individual insane instinct intellectual Joséphin Péladan live Lombroso Maleine mania marriage Maurice Barrès means megalomania mental mind moral movement mystic nature nerves nervous never Nietzsche Nietzsche's Nora novels observation organism Paris Parnassians Parsifal Paul Bourget peculiar perceive perception persons phenomena phenomenon Philistine piece poems poet poetry pre-Raphaelites presentations reader recognise representations Rosmer Rosmersholm says sense sexual society soul speak stimulus symbol Symbolists Théophile Gautier things thought tion Tolstoi true unconscious Wagner Wangel Werle whole wishes woman words Zola
Pasajes populares
Página 89 - It lies in heaven, across the flood Of ether, as a bridge. Beneath, the tides of day and night With flame and darkness ridge The void, as low as where this earth Spins like a fretful midge.
Página 89 - When round his head the aureole clings, And he is clothed in white, I'll take his hand and go with him To the deep wells of light; As unto a stream we will step down, And bathe there in God's sight.
Página 293 - Les parfums, les couleurs et les sons se répondent. Il est des parfums frais comme des chairs d'enfants, Doux comme les hautbois, verts comme les prairies...
Página 99 - Of Margaret sitting glorious there, In glory of gold and glory of hair, And glory of glorious face most fair; — Ah!
Página 321 - Where, if not from the Impressionists, do we get those wonderful brown fogs that come creeping down our streets, blurring the gas-lamps and changing the houses into monstrous shadows? To whom, if not to them and their master, do we owe the lovely silver mists that brood over our river, and turn to faint forms of fading pace curved bridge and swaying barge?
Página 125 - Dans l'interminable Ennui de la plaine La neige incertaine Luit comme du sable. Le ciel est de cuivre Sans lueur aucune, On croirait voir vivre Et mourir la lune.
Página 89 - Out of the circling charm; Until her bosom must have made The bar she leaned on warm, And the lilies lay as if asleep Along her bended arm. From the fixed place of Heaven she saw Time like a pulse shake fierce Through all the worlds.
Página 79 - Painting, or art generally, as such, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable as the vehicle of thought, but by itself nothing. He who has learned what is commonly considered the whole art of painting, that is, the art of representing any natural object faithfully, has as yet only learned the language by which his thoughts are to be expressed.
Página 384 - Are you not clear about your place in your own home? Have you not an infallible guide in questions like these? Have you not religion? NORA. Oh, Torvald, I don't really know what religion is.
Página 87 - THE blessed damozel leaned out From the gold bar of Heaven ; Her eyes were deeper than the depth Of waters stilled at even ; She had three lilies in her hand, , And the stars in her hair were seven.