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Kéramos.

TURN, turn, my wheel! Turn round and round Without a pause, without a sound:

So spins the flying world away!

This clay, well mixed with marl and sand,
Follows the motion of my hand;

For some must follow, and some command,
Though all are made of clay!

Thus sang the Potter at his task
Beneath the blossoming hawthorn-tree,
While o'er his features, like a mask,
The quilted sunshine and leaf-shade
Moved, as the boughs above him swayed,
And clothed him, till he seemed to be
A figure woven in tapestry,
So sumptuously was he arrayed
In that magnificent attire
Of sable tissue flaked with fire.
Like a magician he appeared,
A conjurer without book or beard;
And while he plied his magic art-
For it was magical to me-

I stood in silence and apart,
And wondered more and more to see
That shapeless, lifeless mass of clay
Rise up to meet the master's hand,
And now contract and now expand,
And even his slightest touch obey;"
While ever in a thoughtful mood
He sang his ditty, and at times
Whistled a tune between the rhymes,
As a melodious interlude.

Turn, turn, my wheel! All things must change
To something new, to something strange;

Nothing that is can pause or stay;
The moon will wax, the moon will wane,
The mist and cloud will turn to rain,
The rain to mist and cloud again,
To-morrow be to-day.

Thus still the Potter sang, and still,
By some unconscious act of will,
The melody and even the words
Were intermingled with my thought,
As bits of coloured thread are caught
And woven into nests of birds.
And thus to regions far remote,
Beyond the ocean's vast expanse,
This wizard in the motley coat
Transported me on wings of song,

And by the northern shores of France
Bore me with restless speed along.
What land is this that seems to be
A mingling of the land and sea?
This land of sluices, dikes, and dunes?
This water-net, that tesselates
The landscape? this unending maze
Of gardens, through whose latticed gates
The imprisoned pinks and tulips gaze;
Where in long summer afternoons
The sunshine, softened by the haze,
Comes streaming down as through a screen;
Where over fields and pastures green
The painted ships float high in air,
And over all and everywhere

The sails of windmills sink and soar
Like wings of sea-gulls on the shore?

What land is this? Yon pretty town
Is Delft, with all its wares displayed;
The pride, the market-place, the crown
And centre of the Potter's trade.
See! every house and room is bright
With glimmers of reflected light
From plates that on the dresser shine;
Flagons to foam with Flemish beer,
Or sparkle with the Rhenish wine,
And pilgrim flasks with fleur-de-lis,
And ships upon a rolling sea,

And tankards pewter topped, and queer
With comic mask and musketeer!
Each hospitable chimney smiles
A welcome from its painted tiles;
The parlour walls, the chamber floors,
The stairways and the corridors,
The borders of the garden walks,
Are beautiful with fadeless flowers,
That never droop in winds or showers,
And never wither on their stalks.

Turn, turn, my wheel! All life is brief;
What now is bud will soon be leaf,

What now is leaf will soon decay;
The wind blows east, the wind blows west;
The blue eggs in the robin's nest

Will soon have wings and beak and breist,
And flutter and fly away.

Now southward through the air I glide,
The song my only pursuivant,
And see across the landscape wide
The blue Charente, upon whose tide

The belfries and the spires of Saintes

Ripple and rock from side to side,
As, when an earthquake rends its walls,
A crumbling city reels and falls.

Who is it in the suburbs here,

This Potter, working with such cheer,
In this mean house, this mean attire,
His manly features bronzed with fire,
Whose figulines and rustic wares
Scarce find him bread from day to day?
This madman, as the people say,
Who breaks his tables and his chairs
To feed his furnace fires, nor cares
Who goes unfed if they are fed,
Nor who may live if they are dead?
This alchemist with hollow cheeks
And sunken, searching eyes, who seeks,
By mingled earths and ores combined
With potency of fire, to find

Some new enamel, hard and bright,
His dream, his passion, his delight?
O Palissy! within thy breast
Burned the hot fever of unrest;
Thine was the prophet's vision, thine
The exultation, the divine

Insanity of noble minds,

That never falters nor abates,

But labours and endures and waits,
Till all that it foresees it finds,

Or what it cannot find creates!

Turn, turn, my wheel! This earthen jar
A touch can make, a touch can mar;

And shall it to the Potter say,

What makest thou?

Thou hast no hand?

As men who think to understand

A world by their Creator planned,
Who wiser is than they.

Still guided by the dreamy song,
As in a trance I float along

Above the Pyrenean chain,

Above the fields and farms of Spain,

Above the bright Majorcan isle,

That lends its softened name to art,

A spot, a dot upon the chart,

Whose little towns, red-roofed with tile
Are ruby-lustred with the light

Of blazing furnaces by night,

And crowned by day with wreaths of smoke.

Then eastward, wafted in my flight

On my enchanter's magic cloak,

I sail across the Tyrrhene Sea

Into the land of Italy,

And fer the windy Apennines
Mantled and musical with pines

The palaces, the princely halls,
The Bours of buses and the walls
Of churches and of belfry towers,
Chister and castle, street and mart,
Are zarianded and gay with flowers
That blossom in the fields of art.
Here Gabbi's workshops deam and glow
With brillant, iridescent dyes,

The dazzling whiteness of the snow,
The orbait time of summer skies;

Ani vase, and scutcheon, cup and plate,

In perfect finish emulate

Faenza, Florence, Pesaro.

Forth from Urbino's gate there came
A veuth with the angelic name
Of Rachael, in form and face
Himself angelic, and divine
In arts of exlour and design.
From him Francesco Xanto caught
Something of his transcendent grace,
And into Ectile fabrics wrought
Suggestions of the master's thought.
Nor less Maestro Giorgio shines
With madre-perl and golden lines
Of arabesques, and interweaves

His birds and fruits and flowers and leaves
About some landscape, shaded brown,

With olive tints on rock and town.

Behold this cup within whose bowl, Upon a ground of deepest blue With yellow-lustred stars o'erlaid, Colours of every tint and hue Mingle in one harmonious whole! With large blue eyes and steadfast gaze, Her yellow hair in net and braid, Necklace and ear-rings all ablaze With golden lustre o'er the glaze, A woman's portrait; on the scroll, Cana, the beautiful! A name Forgotten save for such brief fame As this memorial can bestow,A gift some lover long ago

Gave with his heart to this fair dame.

A nobler title to renown

Is thine, O pleasant Tuscan town,
Seated beside the Arno's stream;
For Lucca della Robbia there
Created forms so wondrous fair,

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