The Plays of William Shakespeare: The tragediesCassell, Petter & Galpin, 1865 |
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Página vii
... Act iv . , omit " nation's " " King John . " - Note 73 , Act ii . , for ' velocassimus , ' read " velocassinus . ” 86 First Part Henry IV . " - Note 83. Act iii . , add , " See Note 141 , Act v , ' Love's Labour's Lost . " " " Second ...
... Act iv . , omit " nation's " " King John . " - Note 73 , Act ii . , for ' velocassimus , ' read " velocassinus . ” 86 First Part Henry IV . " - Note 83. Act iii . , add , " See Note 141 , Act v , ' Love's Labour's Lost . " " " Second ...
Página xi
... Act iii . , " Coriolanus ; " Note 60 , Act ii . , " Henry V .; " Note 11 , Act v . , " King John ; " to 62 , Act iii . , " King John , " where our view of Shakespeare's special use of this word is first discussed by us ; likewise such ...
... Act iii . , " Coriolanus ; " Note 60 , Act ii . , " Henry V .; " Note 11 , Act v . , " King John ; " to 62 , Act iii . , " King John , " where our view of Shakespeare's special use of this word is first discussed by us ; likewise such ...
Página xii
... Act ii . , " Romeo and Juliet " ) ; his skill in the introduction of brief explanatory or commentatory scenes ( see Note 23 , Act iii . , " Timon of Athens ; " and Note 144 , Act iv . , " King Lear " ) , his judgment in producing ...
... Act ii . , " Romeo and Juliet " ) ; his skill in the introduction of brief explanatory or commentatory scenes ( see Note 23 , Act iii . , " Timon of Athens ; " and Note 144 , Act iv . , " King Lear " ) , his judgment in producing ...
Página xiii
... Act ii .; 20 , Act iv .; and 50 , Act v . , " Coriolanus ; " Note 59 , Act v . , " Winter's Tale ; " Note 85 , Act iv . , " Macbeth " ) , and his singular faculty of producing perfect impression through imperfect expression ( see Note 85 , ...
... Act ii .; 20 , Act iv .; and 50 , Act v . , " Coriolanus ; " Note 59 , Act v . , " Winter's Tale ; " Note 85 , Act iv . , " Macbeth " ) , and his singular faculty of producing perfect impression through imperfect expression ( see Note 85 , ...
Página xiv
... ii . , Antony and Cleopatra ; " Notes 48 , Act ii .; 27 and 53 , Act iv . , “ Cymbeline , " where we candidly confess to certain hesitatingly - adopted readings . 66 For one who is so universal ... Act iii .; 8 , Act iv . , " xiv PREFACE .
... ii . , Antony and Cleopatra ; " Notes 48 , Act ii .; 27 and 53 , Act iv . , “ Cymbeline , " where we candidly confess to certain hesitatingly - adopted readings . 66 For one who is so universal ... Act iii .; 8 , Act iv . , " xiv PREFACE .
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Términos y frases comunes
Achilles Ajax allusion Antony Apem bear blood Brutus Casca Cassio Cleo Coriolanus Cres death Desdemona dost doth elliptically understood Enter Exeunt Exit express eyes father fear Folio prints fool friends gods Hamlet hand hath hear heart heaven Hector Henry IV honour Iago Julius Cæsar Kent King lady Lear look lord Love's Labour's Lost Macb Macbeth Macd madam Marcius means Merchant of Venice misprint nature noble Note Othello passage referred phrase play pray present passage Quartos Queen Richard III Rome Romeo and Juliet SCENE Second Part Henry sense sentence Serv Servant Shake Shakespeare signifying speak speech stand sweet sword tell thee there's thine thou art thou hast Timon of Athens Troilus and Cressida Twelfth Night Ulyss Winter's Tale word