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Crack'd many a ring of posied gold and bone,
Bidding them find their sepulchres in mud;
Found yet more letters sadly penn'd in blood,
With sleided silk feat and affectedly
Enswath'd, and seal'd to curious secrecy.*

These often bath'd she in her fluxive eyes,
And often kiss'd, and often ganb to tear;
Cried, "O false blood, thou register of lies,
What unapproved witness dost thou bear!

Ink would have seem'd more black and damned here!"

This said, in top of rage the lines she rents,
Big discontent so breaking their contents.

A reverend man that graz'd his cattle nigh,—
Sometime a blusterer, that the ruffle knew
Of court, of city, and had let go by
The swiftest hours, observed as they flew,—
Towards this afflicted fancy fastly drew;
And, privileg'd by age, desires to know

In brief the grounds and motives of her woe.

So slides he down upon his grained bat,
And comely-distant sits he by her side;
When he again desires her, being sat,
Her grievance with his hearing to divide :
If that from him there may be aught applied
Which may her suffering ecstasy assuage,
"T is promis'd in the charity of age.

"Father," she says, "though in me you behold
The injury of many a blasting hour,
Let it not tell your judgment I am old;
Not age, but sorrow, over me hath power:
I might as yet have been a spreading flower,
Fresh to myself, if I had self-applied
Love to myself, and to no love beside.

"But, woe is me! too early I attended
A youthful suit (it was to gain my grace)
Of one by nature's outwards so commended,
That maidens' eyes stuck over all his face :
Love lack'd a dwelling, and made him her place;
And when in his fair parts she did abide,
She was new lodg'd, and newly deified.

"His browny locks did hang in crooked curls;
And every light occasion of the wind

With sleided silk feat and affectedly Enswath'd, and seal'd to curious secrecy.] "Sleided silk" is untwisted silk; what we now term flos silk. "Feat" means clererly, nicely. "To be convinced of the propriety of this description, let the reader consult the Royal Letters,' &c. in the British Museum, where he will find that anciently the ends of a narrow ribbon were placed under the seals of letters, to connect them more closely."-STEEVENS.

band often pan to tear;] A conjectural reading of Malone, the old copy having,

" and often gave to teare," &c.

e his grained bat,-] His rough staff, or club.

d

ecstasy-] Distraction.

e Of one- The quarto reads, "O one," &c.

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her place;] Her seat, her mansion.

gsawn.] Sown; or, as some explain it, seen. We think the former is the true meaning.

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Yet show'd his visage by that cost more dear;
And nice affections wavering stood in doubt
If best were as it was, or best without.

"His qualities were beauteous as his form,
For maiden-tongu'd he was, and thereof free;
Yet, if men mov'd him, was he such a storm
As oft 'twixt May and April is to see,

When winds breathe sweet, unruly though they be.

His rudeness so with his authoriz'd youth
Did livery falseness in a pride of truth.

"Well could he ride, and often men would say
'That horse his mettle from his rider takes:
Proud of subjection, noble by the sway,
What rounds, what bounds, what course, what stop
he makes !'

And controversy hence a question takes,
Whether the horse by him became his deed,
Or he his manage by the well-doing steed.

"But quickly on this side the verdict went;
His real habitude gave life and grace
To appertainings and to ornament,
Accomplish'd in himself, not in his case:
All aids, themselves made fairer by their place,
Came for additions; yet their purpos'd trim
Piec'd not his grace, but were all grac'd by
him.

"So on the tip of his subduing tongue
All kind of arguments and question deep,
All replication prompt, and reason strong,
For his advantage still did wake and sleep:
To make the weeper laugh, the laugher weep,
He had the dialect and different skill,
Catching all passions in his craft of will: m

"That he did in the general bosom reign
Of young, of old; and sexes both enchanted

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To dwell with him in thoughts, or to remain
In personal duty, following where he haunted:
Consents bewitch'd, ere he desire, have granted;
And dialogu'd for him what he would say,
Ask'd their own wills, and made their wills obey.

"Many there were that did his picture get,
To serve their eyes, and in it put their mind;
Like fools that in th' imagination set
The goodly objects which abroad they find
Of lands and mansions, theirs in thought assign'd;
And labouring in more pleasures to bestow them
Than the true gouty landlord which doth owe
them :

"So many have, that never touch'd his hand,
Sweetly suppos'd them mistress of his heart.
My woeful self, that did in freedom stand,
And was my own fee-simple, (not in part)
What with his art in youth, and youth in art,
Threw my affections in his charmed power,
Reserv'd the stalk, and gave him all my flower.

"Yet did I not, as some my equals did,
Demand of him, nor being desir'd yielded;
Finding myself in honour so forbid,
With safest distance I mine honour shielded:
Experience for me many bulwarks builded
Of proofs new-bleeding, which remain❜d the foil
Of this false jewel, and his amorous spoil.

"But, ah, who ever shunn'd by precedent
The destin'd ill she must herself assay?
Or forc'd examples, 'gainst her own content,
To put the by-pass'd perils in her way?
Counsel may stop a while what will not stay;
For when we rage, advice is often seen
By blunting us to make our wits more keen.

"Nor gives it satisfaction to our blood,
That we must curb it upon others' proof;
To be forbid the sweets that seem so good,
For fear of harms that preach in our behoof.
O appetite, from judgment stand aloof!
The one a palate hath that needs will taste,
Though Reason weep, and cry, 'It is thy last.'

"For further b I could say, 'This man 's untrue,'
And knew the patterns of his foul beguiling;
Heard where his plants in others' orchards grew,
Saw how deceits were gilded in his smiling;
Knew vows were ever brokers to defiling;
Thought characters and words merely but art,
And bastards of his foul adulterate heart.

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Have of my suffering youth some feeling pity,
And be not of my holy vows afraid:
That's to you sworn, to none was ever said;
For feasts of love I have been called unto,
Till now did ne'er invite, nor never vow.

"All my offences that abroad you see
Are errors of the blood, none of the mind;
Love made them not; with actured they may be,
Where neither party is nor true nor kind:
They sought their shame that so their shame did
find;

And so much less of shame in me remains,
By how much of me their reproach contains.

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'Among the many that mine eyes have seen, Not one whose flame my heart so much as warm'd,

Or my affection put to the smallest teen,*
Or any of my leisures ever charm'd :
Harm have I done to them, but ne'er was harm'd ;
Kept hearts in liveries, but mine own was free,
And reign'd, commanding in his monarchy.

"Look here what tributes wounded fancies sent me,

Of paled pearls, and rubies red as blood;
Figuring that they their passions likewise lent me
Of grief and blushes, aptly understood
In bloodless white and the encrimson'd mood;
Effects of terror and dear modesty,

Encamp'd in hearts, but fighting outwardly.

"And, lo, behold these talents of their hair,
With twisted metal amorously impleach'd,
I have receiv'd from many a several fair,-
Their kind acceptance weepingly beseech'd,—
With the annexions of fair gems enrich'd,
And deep-brain'd sonnets that did amplify
Each stone's dear nature, worth, and quality.

"The diamond,-why, 't was beautiful and hard,
Whereto his invis'd properties did tend;
The deep-green emerald, in whose fresh regard
Weak sights their sickly radiance do amend;
The heaven-hu'd sapphire and the opal blend
With objects manifold; each several stone,
With wit well blazon'd, smil'd or made some

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“ ́O, then, advance of yours that phraseless hand,
Whose white weighs down the airy scale of praise;
Take all these similes to your own command,
Hallow'd with sighs that burning lungs did raise ;
What me your minister, for you obeys,
Works under you; and to your audit comes
Their distract parcels in combined sums.

"Lo, this device was sent me from a nun,
Or sister sanctified, of holiest note;
Which late her noble suit in court did shun,
Whose rarest havings made the blossoms dote;b
For she was sought by spirits of richest coat,
But kept cold distance, and did thence remove,
To spend her living in eternal love.

"But, O, my sweet, what labour is 't to leave
The thing we have not, mastering what not
strives,

d

Paling the place which did no form receive,
Playing patient sports in unconstrained gyves?
She that her fame so to herself contrives,
The scars of battle 'scapeth by the flight,
And makes her absence valiant, not her might.

"O, pardon me, in that my boast is true;
The accident which brought me to her eye,
Upon the moment did her force subdue,
And now she would the caged cloister fly:
Religious love put out Religion's eye:
Not to be tempted, would she be immur'd,"
And now, to tempt all, liberty procur'd.

"How mighty then you are, O, hear me tell!
The broken bosoms that to me belong
Have emptied all their fountains in my well,
And mine I pour your ocean all among:

I strong o'er them, and you o'er me being strong,
Must for your victory us all congest,

As compound love to physic your cold breast.

"My parts had power to charm a sacred nun,"
Who, disciplin'd, ay, dieted in grace,
Believ'd her eyes when they to assail begun,
All vows and consecrations giving place.
O, most potential love! vow, bond, nor space,
In thee hath neither sting, knot, nor confine,
For thou art all, and all things else are thine.

"When thou impressest, what are precepts worth

Of stale example? When thou wilt inflame,
How coldly those impediments stand forth

a Or sister sanctified,-] "The poet, I suspect, wrote, ‘A sister sanctified,' &c."-MALONE. We suspect so too. b Whose rarest havings made the blossoms dote;] "Whose accomplishments were so extraordinary that the flower of the young nobility were passionately enamoured of her."- MALONE. crichest coat,-] "Coat," for coat of arms.

Paling the place-] This is the reading of Malone, for "Playing the place," &c. of the old copy. We should prefer, Filling the place," &c. The word Playing was evidently caught by the transcriber or compositor from the following line, and in mistakes of this description the ductus literarum is of little moment. In support of Filling, compare, Sonnet cx11.:

"Your love and pity doth th' impression fill

Which vulgar scandal stamp'd upon my brow;" &c. immur'd,-] The quarto has, "enur'd."

787

Of wealth, of filial fear, law, kindred, fame!
Love's arms are peace, 'gainst rule, 'gainst sense,
'gainst shame,

And sweetens, in the suffering pangs it bears,
The aloes of all forces, shocks, and fears.

"Now all these hearts that do on mine depend, Feeling it break, with bleeding groans they pine, And supplicant their sighs to you extend,

To leave the battery that you make 'gainst mine,
Lending soft audience to my sweet design,
And credent soul to that strong-bonded oath,
That shall prefer and undertake my troth.'

“This said, his watery eyes he did dismount,
Whose sights till then were levell'd on my face;
Each cheek a river running from a fount
With brinish current downward flow'd apace:
O, how the channel to the stream gave grace!
Who glaz'd with crystal gate the glowing roses
That flame through water which their hue en-
closes.

"O, father, what a hell of witchcraft lies
In the small orb of one particular tear!
But with the inundation of the eyes
What rocky heart to water will not wear?
What breast so cold that is not warmed here?
O cleft effect! cold modesty, hot wrath,
Both fire from hence and chill extincture hath!

"For, lo, his passion, but an art of craft,
Even there resolv'd my reason into tears;
There my white stole of chastity I daff'd,
Shook off my sober guards and civil fears;
Appear to him, as he to me appears,

All melting; though our drops this difference bore,
His poison'd me, and mine did him restore.

"In him a plenitude of subtle matter,
Applied to cautels, all strange forms receives,
Of burning blushes, or of weeping water,
Or swooning paleness; and he takes and leaves,
In either's aptness, as it best deceives,
To blush at speeches rank,' to weep at woes,
Or to turn white and swoon at tragic shows;

"That not a heart which in his level came
Could scape the hail of his all-hurting aim,
Showing fair nature is both kind and tame;
And, veil'd in them, did win whom he would
maim:

Against the thing he sought he would exclaim;

f-procur'd.] A correction from the edition of 1640, the quarto reading, "procure."

ga sacred nun,-] The quarto reads, "a sacred Sunne," &c., a manifest error, though adopted by Malone.

h Who, disciplin'd, ay, dieted in grace,-] The old copy has,"Who disciplin'd I died in grace."

iLove's arms are peace,-] A palpable corruption, for which Malone proposed, "Love's arms are proof," &c. Steevens, "Love aims at peace," &c.; and Mr. Dyce conjectures, "Love arms our peace," &c.

k O cleft effect!] So Malone; the quarto reading, "Or cleft effect," &c.; from which, unless "effect" stands for effectually, it is not easy to extract any sense.

1 - rank,-] Gross.

3 E 2

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THE ensuing collection of irrelative poems, some probably from Shakespeare's hand, but some certainly belonging to other writers, was first published by William Jaggard, in small octavo, with the title,-"The Passionate Pilgrime. By W. Shakespeare. At London. Printed for W. Iaggard, and are to be sold by W. Leake, at the Greyhound in Paules Churchyard, 1599." In 1612 another edition was printed bearing the title of, "The Passionate Pilgrime. Or Certaine Amorous Sonnets, betweene Venus and Adonis, newly corrected and augmented. By W. Shakespere. The third Edition. Where-unto is newly added two Love-Epistles, the first from Paris to Hellen, and Hellen's answere backe againe to Paris. Printed by W. Iaggard, 1612."* The "Love Epistles" which Jaggard had the audacity to particularise in his title-page, and insert in this reprint as the works of Shakespeare, were two of Ovid's Epistles, that had been translated by Thomas Heywood, and printed with his name in his "Troja Brittannica," &c. 1609. It was not likely that Heywood would patiently submit to this flagrant injustice, and accordingly at the close of a work entitled, "The Apology for Actors," &c. which was published by him in 1612, he appended the following letter to his bookseller, Nicholas Okes:

"To my approved good friend, Mr. Nicholas Okes.

"The infinite faults escaped in my booke of Britaines Troy, by the negligence of the Printer, as the misquotations, mistaking of sillables, misplacing halfe lines, coining of strange and never heard of words. These being without number, when I would have taken a particular account of the Errata, the Printer answered me, hee would not publishe his owne disworkemanship, but rather let his owne fault lye upon the necke of the Author: and being fearfull that others of his quality, had beene of the same nature, and condition, and finding you on the contrary, so carefull and industrious, so serious and laborious, to doe the author all the rights of the presse; I could not choose but gratulate your honest endeavours with this short remembrance. Here likewise, I must necessarily insert a manifest injury done me in that worke, by taking the two Epistles of Paris to Helen, and Helen to Paris, and printing them in a lesse volume under the name of another, which may put the world in opinion I might steal them from him; and hee, to do himselfe right, hath since published them in his owne name: but as I must acknowledge my lines not worthy his patronage under whom he hath publisht them, so the Author I know much offended with M. Jaggard that (altogether unknowne to him)

* Although this edition purports to be the third, no intermediate impression between it and the first copy is now known.

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