Crossing Confessional Boundaries: The Patronage of Italian Sacred Music in Seventeenth-Century DresdenOxford University Press, 2006 M04 27 - 528 páginas This book is an examination of the uneasy alliance of two confessions, Lutheran and Catholic, at the prominent seventeenth-century court of Dresden, and the implications of this alliance for the repertoire of sacred art music cultivated there, an influential repertoire that has received only scant attention from scholars. |
Dentro del libro
Resultados 1-5 de 54
Página 6
... Kapellmeister is so excellent that His Imperial Majesty sought to gain his service, and offered him 4,000 Reichsthaler; after the Kapellmeister, the organist in the Kapelle is considered masterful and without peer. In sum, Parnassus is ...
... Kapellmeister is so excellent that His Imperial Majesty sought to gain his service, and offered him 4,000 Reichsthaler; after the Kapellmeister, the organist in the Kapelle is considered masterful and without peer. In sum, Parnassus is ...
Página 7
... Kapellmeister at the Dresden court, several Italian instrumentalists had served in the Hofkapelle of Elector Christian II, and violinists Carlo Farina and Francesco Castelli had briefly served in the Hofkapelle of Johann Georg I.8 And ...
... Kapellmeister at the Dresden court, several Italian instrumentalists had served in the Hofkapelle of Elector Christian II, and violinists Carlo Farina and Francesco Castelli had briefly served in the Hofkapelle of Johann Georg I.8 And ...
Página 9
... Kapellmeister in Denmark, Agostino Fontana, who so earnestly wanted to remain here, engaged for service with the present King in Denmark, where they are now going.18 14. According to Robert Eitner, Severo was appointed an ...
... Kapellmeister in Denmark, Agostino Fontana, who so earnestly wanted to remain here, engaged for service with the present King in Denmark, where they are now going.18 14. According to Robert Eitner, Severo was appointed an ...
Página 15
... Kapellmeister clearly felt that his small group of musicians would suffer from comparison with the prince's ensemble of highly trained Italian virtuosi.50 Two days later, he wrote directly to the prince, and, without stating so ...
... Kapellmeister clearly felt that his small group of musicians would suffer from comparison with the prince's ensemble of highly trained Italian virtuosi.50 Two days later, he wrote directly to the prince, and, without stating so ...
Página 18
... Kapellmeister Peranda and/or the castrato Antonio Protogagi, but he may also have come back empty-handed, having established contacts in Italy (primarily in Florence); perhaps he extracted promises from musicians to come to Dresden at ...
... Kapellmeister Peranda and/or the castrato Antonio Protogagi, but he may also have come back empty-handed, having established contacts in Italy (primarily in Florence); perhaps he extracted promises from musicians to come to Dresden at ...
Contenido
3 | |
6 | |
32 | |
3 Johann Georg II and the Problem of Catholicism | 76 |
The Dresden Textual Repertoire | 101 |
The New Sacred Concerto in Dresden | 172 |
Style and Affect in the Dresden Concerto | 245 |
7 Johann Georgs Vision for Worship | 341 |
The Liturgical Year at the Dresden Court | 362 |
Johann Georg II Remembered | 438 |
Source Documents | 443 |
Sacred Vocal Works of the Principal Dresden Court Composers | 455 |
Bibliography of Primary Sources | 481 |
Bibliography of Secondary Sources | 487 |
Index | 501 |
Otras ediciones - Ver todas
Crossing Confessional Boundaries: The Patronage of Italian Sacred Music in ... Mary E. Frandsen Vista previa limitada - 2006 |
Crossing Confessional Boundaries: The Patronage of Italian Sacred Music in ... Mary E. Frandsen Sin vista previa disponible - 2012 |
Crossing Confessional Boundaries:The Patronage of Italian Sacred Music in ... Mary E. Frandsen Sin vista previa disponible - 2006 |
Términos y frases comunes
Albrici and Peranda Alleluia alto appears aria aria strophes bass Bernhard Bontempi Carissimi castrati Catholic celebrated Cherici Christ church composers composition concertato concerto concerto with aria continuo cor meum court chapel court diaries D-B Mus devotional texts Domine Dresden Dresden court dulcis Easter edition in Frandsen elector entry example feast days Fürstenau German Gloria Gospel Gott Gratiani Hofkapelle hymn included Jesus Johann Georg II Kapellmeister Kirchen-Ordnung Latin liturgies Lutheran Melani Modern edition motet mystical œ J œ œ œ œ œ R œ orders of worship Pentecost performed Prince Johann Georg prince’s psalm restatement ritornello Roman roster S-Uu VMHS Sächs HStA Loc Sächs HStA OHMA sacred concertos SATB Saxon Schütz scoring sermon singers SLUB Q solo motets soprano Spagnoli speaker SSATB stanzas strophes style Sunday sung survive tenor textual timpani Vespers Vespers SLUB Vincenzo Albrici vocal Weißenfels Year’s Day