Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
Dentro del libro
Resultados 1-3 de 50
Página 36
... actual events for airing at subsequent hours . Radio documentaries , casting the factual matter of the war into dramatic and semidramatic programs , were hailed as powerful new art forms . In the field of special events , radio again ...
... actual events for airing at subsequent hours . Radio documentaries , casting the factual matter of the war into dramatic and semidramatic programs , were hailed as powerful new art forms . In the field of special events , radio again ...
Página 267
... actual airing is deter- mined by the director of the program . He monitors each camera that is in use by looking at monitor screens , one of which is assigned to each camera . The director , therefore , is able to see what is to be ...
... actual airing is deter- mined by the director of the program . He monitors each camera that is in use by looking at monitor screens , one of which is assigned to each camera . The director , therefore , is able to see what is to be ...
Página 467
... actual performance on camera . Lip sync movement is used as the lyrics are heard . Directors usually refrain from too many close - ups on such numbers , shooting the dance in medium or long shots . It is important that the sound be ...
... actual performance on camera . Lip sync movement is used as the lyrics are heard . Directors usually refrain from too many close - ups on such numbers , shooting the dance in medium or long shots . It is important that the sound be ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
Otras 45 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York