Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
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Página 270
... close - up . " An over - all perspective of the setting for the viewer is supplied by the long shot . It is ... close - up shots are used to single out details , focus the attention , clearly inform and heighten dramatic emphasis . A ...
... close - up . " An over - all perspective of the setting for the viewer is supplied by the long shot . It is ... close - up shots are used to single out details , focus the attention , clearly inform and heighten dramatic emphasis . A ...
Página 378
... close communication between the two participants is broken . People usually look at each other when they converse . Restricting this impulse in order to play to the camera results in artificiality . If naturalism wins out the tele ...
... close communication between the two participants is broken . People usually look at each other when they converse . Restricting this impulse in order to play to the camera results in artificiality . If naturalism wins out the tele ...
Página 449
... close - ups without a Zoomar action . The third camera would be placed along first - base line for coverage of infield plays , close - ups of right - handed batters and tight coverage of plays at any base , including home plate , from a ...
... close - ups without a Zoomar action . The third camera would be placed along first - base line for coverage of infield plays , close - ups of right - handed batters and tight coverage of plays at any base , including home plate , from a ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York