Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
Dentro del libro
Resultados 1-3 de 31
Página 151
... Continuity Acceptance Department which screens all programs for the network . As a general operating practice , compliance is obtained volun- tarily through frank discussions with program producers and advertising agencies . Self ...
... Continuity Acceptance Department which screens all programs for the network . As a general operating practice , compliance is obtained volun- tarily through frank discussions with program producers and advertising agencies . Self ...
Página 226
... continuity department , ranging from one to three writers in a more active program department . These continuity writers prepare copy to suit the MC's style and program format . Incidental script writing may also be handled by members ...
... continuity department , ranging from one to three writers in a more active program department . These continuity writers prepare copy to suit the MC's style and program format . Incidental script writing may also be handled by members ...
Página 322
... continuity are sometimes committed to memory , although this practice is now much rarer than it was in the early ... Continuity 1. " Your Concert Hall " and 2. " Meet the Artist " 4 Excerpts from continuity service available to stations ...
... continuity are sometimes committed to memory , although this practice is now much rarer than it was in the early ... Continuity 1. " Your Concert Hall " and 2. " Meet the Artist " 4 Excerpts from continuity service available to stations ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York