Television and Radio |
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Página 26
A.T. & T . ruled out the broadcast of direct advertising messages as being in poor taste for a communications medium that entered the privacy of the home with no forewarning as to the nature of the messages that would follow .
A.T. & T . ruled out the broadcast of direct advertising messages as being in poor taste for a communications medium that entered the privacy of the home with no forewarning as to the nature of the messages that would follow .
Página 199
They are : ( 1 ) direct classroom teaching ; ( 2 ) supplementary classroom teaching ; ( 3 ) intraschool broadcasting ; ( 4 ) informal preschool and out - of - school education ; ( 5 ) formal adult education ; ( 6 ) informal adult ...
They are : ( 1 ) direct classroom teaching ; ( 2 ) supplementary classroom teaching ; ( 3 ) intraschool broadcasting ; ( 4 ) informal preschool and out - of - school education ; ( 5 ) formal adult education ; ( 6 ) informal adult ...
Página 260
Direct access to studio , dressing rooms , etc. 2. Technicians : directors ; camera , mike , lighting men , production ; etc. Direct access to studio , control room , transmitter , shops . 3. Sponsors . Access to sponsors ' space ...
Direct access to studio , dressing rooms , etc. 2. Technicians : directors ; camera , mike , lighting men , production ; etc. Direct access to studio , control room , transmitter , shops . 3. Sponsors . Access to sponsors ' space ...
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
Derechos de autor | |
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action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York