Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
Dentro del libro
Resultados 1-3 de 48
Página 26
... direct advertising messages as being in poor taste for a communications medium that entered the privacy of the home with no forewarning as to the nature of the messages that would follow . Advertising was limited , therefore , to the ...
... direct advertising messages as being in poor taste for a communications medium that entered the privacy of the home with no forewarning as to the nature of the messages that would follow . Advertising was limited , therefore , to the ...
Página 199
... Direct Classroom Teaching . Educational programs on radio and tele- vision have been used for direct classroom teaching in various public school systems , colleges , and universities , and by United States Military organ- izations . A ...
... Direct Classroom Teaching . Educational programs on radio and tele- vision have been used for direct classroom teaching in various public school systems , colleges , and universities , and by United States Military organ- izations . A ...
Página 260
... Direct access to studio , dressing rooms , etc. THREE KINDS OF THINGS 1. Scenery and props stored on premises . Direct access between storage , shops , and studio . 2. Technicians : direct- ors ; camera , mike , light- ing men ...
... Direct access to studio , dressing rooms , etc. THREE KINDS OF THINGS 1. Scenery and props stored on premises . Direct access between storage , shops , and studio . 2. Technicians : direct- ors ; camera , mike , light- ing men ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York