Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
Dentro del libro
Resultados 1-3 de 74
Página 283
... effects . Television production requires sound effects in the same way that radio production does . As needed , a sound - effects man with a sound - effects truck works in an out - of - the - way spot in the studio , with a special on ...
... effects . Television production requires sound effects in the same way that radio production does . As needed , a sound - effects man with a sound - effects truck works in an out - of - the - way spot in the studio , with a special on ...
Página 518
... Effects . Manual sound effects are produced live by an actor or sound - effects technician . In earlier days , elaborate equipment involving " Rube Goldberg " concoctions , was constructed for much of the sound . Rain machines , for ...
... Effects . Manual sound effects are produced live by an actor or sound - effects technician . In earlier days , elaborate equipment involving " Rube Goldberg " concoctions , was constructed for much of the sound . Rain machines , for ...
Página 519
... effects around the microphone to secure the most effective pick - up . A succession of manual effects in the script entails careful planning and experimentation in placement according to the microphones used . In television , the actor ...
... effects around the microphone to secure the most effective pick - up . A succession of manual effects in the script entails careful planning and experimentation in placement according to the microphones used . In television , the actor ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York