Television and Radio |
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Página 231
Whenever a " nemo " or remote ( a program away from the studio ) is broadcast , an engineer or combination announcer - engineer is in attendance with the remote amplifying equipment and microphones . Since the FCC prescribes definite ...
Whenever a " nemo " or remote ( a program away from the studio ) is broadcast , an engineer or combination announcer - engineer is in attendance with the remote amplifying equipment and microphones . Since the FCC prescribes definite ...
Página 232
In the control room we find the same engineer handling the audio equipment , turning on the microphones and supervising the voice levels throughout the broadcast , but he has been joined by a video engineer who handles control units for ...
In the control room we find the same engineer handling the audio equipment , turning on the microphones and supervising the voice levels throughout the broadcast , but he has been joined by a video engineer who handles control units for ...
Página 300
This is a problem in human engineering which affects you and me .... but the profession of human engineering may be ... is advertising for many different types of professional people ... and one of those they seek is a human engineer .
This is a problem in human engineering which affects you and me .... but the profession of human engineering may be ... is advertising for many different types of professional people ... and one of those they seek is a human engineer .
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
Derechos de autor | |
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Términos y frases comunes
action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York