Television and Radio |
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Página 231
Whenever a " nemo " or remote ( a program away from the studio ) is broadcast , an engineer or combination announcer - engineer is in attendance with the remote amplifying equipment and microphones . Since the FCC prescribes definite ...
Whenever a " nemo " or remote ( a program away from the studio ) is broadcast , an engineer or combination announcer - engineer is in attendance with the remote amplifying equipment and microphones . Since the FCC prescribes definite ...
Página 264
EQUIPMENT STORAGE CONTROL AM STUDIO C OFFICE ART ROOM MECHANICAL EQUIPMENT NEWS ROOM OFFICE AM STUDIO " A " AM ESTUDIO B PRODUCERS , ANNOUNCERS & DIRECTORS WORKROOM OFFICE OFFICE BOOKKEEPING O STO . COMMERCIAL CONTACT CLIENTS VIEWING ...
EQUIPMENT STORAGE CONTROL AM STUDIO C OFFICE ART ROOM MECHANICAL EQUIPMENT NEWS ROOM OFFICE AM STUDIO " A " AM ESTUDIO B PRODUCERS , ANNOUNCERS & DIRECTORS WORKROOM OFFICE OFFICE BOOKKEEPING O STO . COMMERCIAL CONTACT CLIENTS VIEWING ...
Página 277
Relatively very little extra equipment and adjustments are required for stations to convert MCR , transmitter , and antenna for color broadcasts of network programs . But for many years , with only one network , NBC , regularly ...
Relatively very little extra equipment and adjustments are required for stations to convert MCR , transmitter , and antenna for color broadcasts of network programs . But for many years , with only one network , NBC , regularly ...
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
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Términos y frases comunes
action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York