Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
Dentro del libro
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Página 313
... gives a left to the stomach ... another left ... a straight right lead ... and a powerful ... but powerful left hook . With ... give announcing professional flavor . 1 Courtesy of the author , Rollin Quimby , and University of Michigan ...
... gives a left to the stomach ... another left ... a straight right lead ... and a powerful ... but powerful left hook . With ... give announcing professional flavor . 1 Courtesy of the author , Rollin Quimby , and University of Michigan ...
Página 520
... give the best fidelity of pick - up from the speaker and at the same time pick up the various manual sound effects ... give the impression of stopping by slowing down the turntable to zero speed . Increase of turntable speed gives an ...
... give the best fidelity of pick - up from the speaker and at the same time pick up the various manual sound effects ... give the impression of stopping by slowing down the turntable to zero speed . Increase of turntable speed gives an ...
Página 571
... Give any necessary signals for stretching or picking up time . Indicate ahead of time , if everything is going along satis- factorily and a provisional cut isn't needed . Or , if required , give signals to the cast to make the ...
... Give any necessary signals for stretching or picking up time . Indicate ahead of time , if everything is going along satis- factorily and a provisional cut isn't needed . Or , if required , give signals to the cast to make the ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York