Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
Dentro del libro
Resultados 1-3 de 74
Página 122
... groups . Before World War II , the FCC was reluctant to issue broadcast licenses to special - interest groups like religious organiza- tions and labor unions . The Commission felt that these groups would tend to use a station to advance ...
... groups . Before World War II , the FCC was reluctant to issue broadcast licenses to special - interest groups like religious organiza- tions and labor unions . The Commission felt that these groups would tend to use a station to advance ...
Página 144
... groups and organizations , programs relating to controversial public issues of import to its fellow citizens and to give fair representa- tion to opposing sides of issues which materially affect the life or welfare of a substantial ...
... groups and organizations , programs relating to controversial public issues of import to its fellow citizens and to give fair representa- tion to opposing sides of issues which materially affect the life or welfare of a substantial ...
Página 154
... GROUP RELATIONS . ( There seems to be a need for more positive help to children in understanding people unlike themselves . Races and nationality groups need to be presented intelligently as well as sentimentally . ) 13. STEREOTYPES ...
... GROUP RELATIONS . ( There seems to be a need for more positive help to children in understanding people unlike themselves . Races and nationality groups need to be presented intelligently as well as sentimentally . ) 13. STEREOTYPES ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York