Television and Radio |
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Página 257
amazing speed of 525 lines from top to bottom every one - thirtieth of a second ( a frame ) . This beam returns the video signal , electrical patterns of " light " and " dark , " to the electronic - multiplier section of the tube where ...
amazing speed of 525 lines from top to bottom every one - thirtieth of a second ( a frame ) . This beam returns the video signal , electrical patterns of " light " and " dark , " to the electronic - multiplier section of the tube where ...
Página 289
Professional radio speakers count by lines instead of by words . Fourteen to sixteen lines per minute is average for typewritten copy running across 81⁄2 x 11 paper with one - inch side margins . Determine your rate by reading aloud a ...
Professional radio speakers count by lines instead of by words . Fourteen to sixteen lines per minute is average for typewritten copy running across 81⁄2 x 11 paper with one - inch side margins . Determine your rate by reading aloud a ...
Página 313
WOMAN : NARR 1 : NARR 2 : NARR 1 : NARR 2 : NARR 1 : Why they're set against a pattern of fine lines -- it's almost like a lace doily . And -- the lines are traced along the entire border . The tracing is much more complicated ...
WOMAN : NARR 1 : NARR 2 : NARR 1 : NARR 2 : NARR 1 : Why they're set against a pattern of fine lines -- it's almost like a lace doily . And -- the lines are traced along the entire border . The tracing is much more complicated ...
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
Derechos de autor | |
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action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York