Television and Radio |
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Página 313
Now look at the portrait of Washington . This part was done by hand . Those fine lines -- even the ones around the eyes and mouth -- were cut into hard steel by the skilled hand of an expert engraver . A counterfeiter cannot produce ...
Now look at the portrait of Washington . This part was done by hand . Those fine lines -- even the ones around the eyes and mouth -- were cut into hard steel by the skilled hand of an expert engraver . A counterfeiter cannot produce ...
Página 378
People usually look at each other when they converse . Restricting this impulse in order to play to the camera results in artificiality . If naturalism wins out the television audience can see only " half a face .
People usually look at each other when they converse . Restricting this impulse in order to play to the camera results in artificiality . If naturalism wins out the television audience can see only " half a face .
Página 418
Just look at this ..... HUGH : ( VO ) What is it ? A tired old sponge ? ARLENE : You're not even warm , Hugh , but I will admit it'll look better after it's soaked in water . KIDS SING " ELEPHANTS " KIDS SING " HERE'S A BALL FOR BABY ...
Just look at this ..... HUGH : ( VO ) What is it ? A tired old sponge ? ARLENE : You're not even warm , Hugh , but I will admit it'll look better after it's soaked in water . KIDS SING " ELEPHANTS " KIDS SING " HERE'S A BALL FOR BABY ...
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
Derechos de autor | |
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action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York